“Take the flower from my breast, I pray thee, Take the flower too from out my tresses; And then go hence, for see, the night is fair, The stars rejoice to watch thee on thy way.” —From “The Bard of the Dimbovitza.”
He walked along Holywell that afternoon of early June with his short gown drooping down his arms, and no cap on his thick dark hair. A youth of middle height, and built as if he had come of two very different strains, one sturdy, the other wiry and light. His face, too, was a curious blend, for, though it was strongly formed, its expression was rather soft and moody. His eyes—dark grey, with a good deal of light in them, and very black lashes—had a way of looking beyond what they saw, so that he did not seem always to be quite present; but his smile was exceedingly swift, uncovering teeth as white as a negro's, and giving his face a peculiar eagerness. People stared at him a little as he passed—since in eighteen hundred and eighty he was before his time in not wearing a cap. Women especially were interested; they perceived that he took no notice of them, seeming rather to be looking into distance, and making combinations in his soul.
Did he know of what he was thinking—did he ever know quite definitely at that time of his life, when things, especially those beyond the immediate horizon, were so curious and interesting?—the things he was going to see and do when he had got through Oxford, where everybody was 'awfully decent' to him and 'all right' of course, but not so very interesting.
He was on his way to his tutor's to read an essay on Oliver Cromwell; and under the old wall, which had once hedged in the town, he took out of his pocket a beast. It was a small tortoise, and, with an extreme absorption, he watched it move its little inquiring head, feeling it all the time with his short, broad fingers, as though to discover exactly how it was made. It was mighty hard in the back! No wonder poor old Aeschylus felt a bit sick when it fell on his head! The ancients used it to stand the world on—a pagoda world, perhaps, of men and beasts and trees, like that carving on his guardian's Chinese cabinet. The Chinese made jolly beasts and trees, as if they believed in everything having a soul, and not only being just fit for people to eat or drive or make houses of. If only the Art School would let him model things 'on his own,' instead of copying and copying—it was just as if they imagined it would be dangerous to let you think out anything for yourself!
He held the tortoise to his waistcoat, and let it crawl, till, noticing that it was gnawing the corner of his essay, he put it back into his pocket. What would his tutor do if he were to know it was there?—cock his head a little to one side, and say: “Ah! there are things, Lennan, not dreamed of in my philosophy!” Yes, there were a good many not dreamed of by 'old Stormer,' who seemed so awfully afraid of anything that wasn't usual; who seemed always laughing at you, for fear that you should laugh at him. There were lots of people in Oxford like that. It was stupid. You couldn't do anything decent if you were afraid of being laughed at! Mrs. Stormer wasn't like that; she did things because—they came into her head. But then, of course, she was Austrian, not English, and ever so much younger than old Stormer.
And having reached the door of his tutor's house, he rang the bell....
When Anna Stormer came into the study she found her husband standing at the window with his head a little on one side—a tall, long-legged figure in clothes of a pleasant tweed, and wearing a low turn-over collar (not common in those days) and a blue silk tie, which she had knitted, strung through a ring. He was humming and gently tapping the window-pane with his well-kept finger-nails. Though celebrated for the amount of work he got through, she never caught him doing any in this house of theirs, chosen because it was more than half a mile away from the College which held the 'dear young clowns,' as he called them, of whom he was tutor.
He did not turn—it was not, of course, his habit to notice what was not absolutely necessary—but she felt that he was aware of her. She came to the window seat and sat down. He looked round at that, and said: “Ah!”
It was a murmur almost of admiration, not usual from him, since, with the exception of certain portions of the classics, it was hardly his custom to admire. But she knew that she was looking her best sitting there, her really beautiful figure poised, the sun shining on her brown hair, and brightening her deep-set, ice-green eyes under their black lashes. It was sometimes a great comfort to her that she remained so good-looking. It would have been an added vexation indeed to have felt that she ruffled her husband's fastidiousness. Even so, her cheekbones were too high for his taste, symbols of that something in her character which did not go with his—the dash of desperation, of vividness, that lack of a certain English smoothness, which always annoyed him.
“Harold!”—she would never quite flatten her r's—“I want to go to the mountains this year.”
The mountains! She had not seen them since that season at San Martino di Castrozza twelve years ago, which had ended in her marrying him.
“I don't know what that means—I am homesick. Can we go?”
“If you like—why not? But no leading up the Cimone della Pala for ME!”
She knew what he meant by that. No romance. How splendidly he had led that day! She had almost worshipped him. What blindness! What distortion! Was it really the same man standing there with those bright, doubting eyes, with grey already in his hair? Yes, romance was over! And she sat silent, looking out into the street—that little old street into which she looked day and night. A figure passed out there, came to the door, and rang.
She said softly: “Here is Mark Lennan!”
She felt her husband's eyes rest on her just for a moment, knew that he had turned, heard him murmur: “Ah, the angel clown!” And, quite still, she waited for the door to open. There was the boy, with his blessed dark head, and his shy, gentle gravity, and his essay in his hand.
“Well, Lennan, and how's old Noll? Hypocrite of genius, eh? Draw up; let's get him over!”
Motionless, from her seat at the window, she watched those two figures at the table—the boy reading in his queer, velvety bass voice; her husband leaning back with the tips of his fingers pressed together, his head a little on one side, and that faint, satiric smile which never reached his eyes. Yes, he was dozing, falling asleep; and the boy, not seeing, was going on. Then he came to the end and glanced up. What eyes he had! Other boys would have laughed; but he looked almost sorry. She heard him murmur: “I'm awfully sorry, sir.”
“Ah, Lennan, you caught me! Fact is, term's fagged me out. We're going to the mountains. Ever been to the mountains? What—never! You should come with us, eh? What do you say, Anna? Don't you think this young man ought to come with us?”
She got up, and stood staring at them both. Had she heard aright?
Then she answered—very gravely:
“Yes; I think he ought.”
“Good; we'll get HIM to lead up the Cimone della Pala!”
When the boy had said good-bye, and she had watched him out into the street, Anna stood for a moment in the streak of sunlight that came in through the open door, her hands pressed to cheeks which were flaming. Then she shut the door and leaned her forehead against the window-pane, seeing nothing. Her heart beat very fast; she was going over and over again the scene just passed through. This meant so much more than it had seemed to mean....
Though she always had Heimweh, and especially at the end of the summer term, this year it had been a different feeling altogether that made her say to her husband: “I want to go to the mountains!”
For twelve years she had longed for the mountains every summer, but had not pleaded for them; this year she had pleaded, but she did not long for them. It was because she had suddenly realized the strange fact that she did not want to leave England, and the reason for it, that she had come and begged to go. Yet why, when it was just to get away from thought of this boy, had she said: “Yes, I think he ought to come!” Ah! but life for her was always a strange pull between the conscientious and the desperate; a queer, vivid, aching business! How long was it now since that day when he first came to lunch, silent and shy, and suddenly smiling as if he were all lighted up within—the day when she had said to her husband afterwards: “Ah, he's an angel!” Not yet a year—the beginning of last October term, in fact. He was different from all the other boys; not that he was a prodigy with untidy hair, ill-fitting clothes, and a clever tongue; but because of something—something—Ah! well—different; because he was—he; because she longed to take his head between her hands and kiss it. She remembered so well the day that longing first came to her. She was giving him tea, it was quite early in the Easter term; he was stroking her cat, who always went to him, and telling her that he meant to be a sculptor, but that his guardian objected, so that, of course, he could not start till he was of age. The lamp on the table had a rose-coloured shade; he had been rowing—a very cold day—and his face was glowing; generally it was rather pale. And suddenly he smiled, and said: “It's rotten waiting for things, isn't it?” It was then she had almost stretched out her hands to draw his forehead to her lips. She had thought then that she wanted to kiss him, because it would have been so nice to be his mother—she might just have been his mother, if she had married at sixteen. But she had long known now that she wanted to kiss, not his forehead, but his lips. He was there in her life—a fire in a cold and unaired house; it had even become hard to understand that she could have gone on all these years without him. She had missed him so those six weeks of the Easter vacation, she had revelled so in his three queer little letters, half-shy, half-confidential; kissed them, and worn them in her dress! And in return had written him long, perfectly correct epistles in her still rather quaint English. She had never let him guess her feelings; the idea that he might shocked her inexpressibly. When the summer term began, life seemed to be all made up of thoughts of him. If, ten years ago, her baby had lived, if its cruel death—after her agony—had not killed for good her wish to have another; if for years now she had not been living with the knowledge that she had no warmth to expect, and that love was all over for her; if life in the most beautiful of all old cities had been able to grip her—there would have been forces to check this feeling. But there was nothing in the world to divert the current. And she was so brimful of life, so conscious of vitality running to sheer waste. Sometimes it had been terrific, that feeling within her, of wanting to live—to find outlet for her energy. So many hundreds of lonely walks she had taken during all these years, trying to lose herself in Nature—hurrying alone, running in the woods, over the fields, where people did not come, trying to get rid of that sense of waste, trying once more to feel as she had felt when a girl, with the whole world before her. It was not for nothing that her figure was superb, her hair so bright a brown, her eyes so full of light. She had tried many distractions. Work in the back streets, music, acting, hunting; given them up one after the other; taken to them passionately again. They had served in the past. But this year they had not served.... One Sunday, coming from confession unconfessed, she had faced herself. It was wicked. She would have to kill this feeling—must fly from this boy who moved her so! If she did not act quickly, she would be swept away. And then the thought had come: Why not? Life was to be lived—not torpidly dozed through in this queer cultured place, where age was in the blood! Life was for love—to be enjoyed! And she would be thirty-six next month! It seemed to her already an enormous age. Thirty-six! Soon she would be old, actually old—and never have known passion! The worship, which had made a hero of the distinguished-looking Englishman, twelve years older than herself, who could lead up the Cimone della Pala, had not been passion. It might, perhaps, have become passion if he had so willed. But he was all form, ice, books. Had he a heart at all, had he blood in his veins? Was there any joy of life in this too beautiful city and these people who lived in it—this place where even enthusiasms seemed to be formal and have no wings, where everything was settled and sophisticated as the very chapels and cloisters? And yet, to have this feeling for a boy—for one almost young enough to be her son! It was so—shameless! That thought haunted her, made her flush in the dark, lying awake at night. And desperately she would pray—for she was devout—pray to be made pure, to be given the holy feelings of a mother, to be filled simply with the sweet sense that she could do everything, suffer anything for him, for his good. After these long prayers she would feel calmed, drowsy, as though she had taken a drug. For hours, perhaps, she would stay like that. And then it would all come over her again. She never thought of his loving her; that would be—unnatural. Why should he love her? She was very humble about it. Ever since that Sunday, when she avoided the confessional, she had brooded over how to make an end—how to get away from a longing that was too strong for her. And she had hit on this plan—to beg for the mountains, to go back to where her husband had come into her life, and try if this feeling would not die. If it did not, she would ask to be left out there with her own people, away from this danger. And now the fool—the blind fool—the superior fool—with his satiric smile, his everlasting patronage, had driven her to overturn her own plan. Well, let him take the consequences; she had done her best! She would have this one fling of joy, even if it meant that she must stay out there, and never see the boy again!
Standing in her dusky hall, where a faint scent of woodrot crept out into the air, whenever windows and doors were closed, she was all tremulous with secret happiness. To be with him among her mountains, to show him all those wonderful, glittering or tawny crags, to go with him to the top of them and see the kingdoms of the world spread out below; to wander with him in the pine woods, on the Alps in all the scent of the trees and the flowers, where the sun was hot! The first of July; and it was only the tenth of June! Would she ever live so long? They would not go to San Martino this time, rather to Cortina—some new place that had no memories!
She moved from the window, and busied herself with a bowl of flowers. She had heard that humming sound which often heralded her husband's approach, as though warning the world to recover its good form before he reached it. In her happiness she felt kind and friendly to him. If he had not meant to give her joy, he had nevertheless given it! He came downstairs two at a time, with that air of not being a pedagogue, which she knew so well; and, taking his hat off the stand, half turned round to her.
“Pleasant youth, young Lennan; hope he won't bore us out there!”
His voice seemed to have an accent of compunction, to ask pardon for having issued that impulsive invitation. And there came to her an overwhelming wish to laugh. To hide it, to find excuse for it, she ran up to him, and, pulling his coat lapels till his face was within reach, she kissed the tip of his nose. And then she laughed. And he stood looking at her, with his head just a little on one side, and his eyebrows just a little raised.
When young Mark heard a soft tapping at his door, though out of bed, he was getting on but dreamily—it was so jolly to watch the mountains lying out in this early light like huge beasts. That one they were going up, with his head just raised above his paws, looked very far away out there! Opening the door an inch, he whispered:
“Is it late?”
“Five o'clock; aren't you ready?”
It was awfully rude of him to keep her waiting! And he was soon down in the empty dining-room, where a sleepy maid was already bringing in their coffee. Anna was there alone. She had on a flax-blue shirt, open at the neck, a short green skirt, and a grey-green velvety hat, small, with one black-cock's feather. Why could not people always wear such nice things, and be as splendid-looking! And he said:
“You do look jolly, Mrs. Stormer!”
She did not answer for so long that he wondered if it had been rude to say that. But she DID look so strong, and swift, and happy-looking.
Down the hill, through a wood of larch-trees, to the river, and across the bridge, to mount at once by a path through hay-fields. How could old Stormer stay in bed on such a morning! The peasant girls in their blue linen skirts were already gathering into bundles what the men had scythed. One, raking at the edge of a field, paused and shyly nodded to them. She had the face of a Madonna, very calm and grave and sweet, with delicate arched brows—a face it was pure pleasure to see. The boy looked back at her. Everything to him, who had never been out of England before, seemed strange and glamorous. The chalets, with their long wide burnt-brown wooden balconies and low-hanging eaves jutting far beyond the walls; these bright dresses of the peasant women; the friendly little cream-coloured cows, with blunt, smoke-grey muzzles. Even the feel in the air was new, that delicious crisp burning warmth that lay so lightly as it were on the surface of frozen stillness; and the special sweetness of all places at the foot of mountains—scent of pine-gum, burning larch-wood, and all the meadow flowers and grasses. But newest of all was the feeling within him—a sort of pride, a sense of importance, a queer exhilaration at being alone with her, chosen companion of one so beautiful.
They passed all the other pilgrims bound the same way—stout square Germans with their coats slung through straps, who trailed behind them heavy alpenstocks, carried greenish bags, and marched stolidly at a pace that never varied, growling, as Anna and the boy went by: “Aber eilen ist nichts!”
But those two could not go fast enough to keep pace with their spirits. This was no real climb—just a training walk to the top of the Nuvolau; and they were up before noon, and soon again descending, very hungry. When they entered the little dining-room of the Cinque Torre Hutte, they found it occupied by a party of English people, eating omelettes, who looked at Anna with faint signs of recognition, but did not cease talking in voices that all had a certain half-languid precision, a slight but brisk pinching of sounds, as if determined not to tolerate a drawl, and yet to have one. Most of them had field-glasses slung round them, and cameras were dotted here and there about the room. Their faces were not really much alike, but they all had a peculiar drooping smile, and a particular lift of the eyebrows, that made them seem reproductions of a single type. Their teeth, too, for the most part were a little prominent, as though the drooping of their mouths had forced them forward. They were eating as people eat who distrust the lower senses, preferring not to be compelled to taste or smell.
“From our hotel,” whispered Anna; and, ordering red wine and schnitzels, she and the boy sat down. The lady who seemed in command of the English party inquired now how Mr. Stormer was—he was not laid up, she hoped. No? Only lazy? Indeed! He was a great climber, she believed. It seemed to the boy that this lady somehow did not quite approve of them. The talk was all maintained between her, a gentleman with a crumpled collar and puggaree, and a short thick-set grey-bearded man in a dark Norfolk jacket. If any of the younger members of the party spoke, the remark was received with an arch lifting of the brows, and drooping of the lids, as who should say: “Ah! Very promising!”
“Nothing in my life has given me greater pain than to observe the aptitude of human nature for becoming crystallized.” It was the lady in command who spoke, and all the young people swayed their faces up and down, as if assenting. How like they were, the boy thought, to guinea-fowl, with their small heads and sloping shoulders and speckly grey coats!
“Ah! my dear lady”—it was the gentleman with the crumpled collar—“you novelists are always girding at the precious quality of conformity. The sadness of our times lies in this questioning spirit. Never was there more revolt, especially among the young. To find the individual judging for himself is a grave symptom of national degeneration. But this is not a subject—”
“Surely, the subject is of the most poignant interest to all young people.” Again all the young ones raised their faces and moved them slightly from side to side.
“My dear lady, we are too prone to let the interest that things arouse blind our judgment in regard to the advisability of discussing them. We let these speculations creep and creep until they twine themselves round our faith and paralyze it.”
One of the young men interjected suddenly: “Madre”—and was silent.
“I shall not, I think”—it was the lady speaking—“be accused of licence when I say that I have always felt that speculation is only dangerous when indulged in by the crude intelligence. If culture has nothing to give us, then let us have no culture; but if culture be, as I think it, indispensable, then we must accept the dangers that culture brings.”
Again the young people moved their faces, and again the younger of the two young men said: “Madre—”
“Dangers? Have cultured people dangers?”
Who had spoken thus? Every eyebrow was going up, every mouth was drooping, and there was silence. The boy stared at his companion. In what a strange voice she had made that little interjection! There seemed a sort of flame, too, lighted in her eyes. Then the little grey-bearded man said, and his rather whispering voice sounded hard and acid:
“We are all human, my dear madam.”
The boy felt his heart go thump at Anna's laugh. It was just as if she had said: “Ah! but not you—surely!” And he got up to follow her towards the door.
The English party had begun already talking—of the weather.
The two walked some way from the 'hut' in silence, before Anna said:
“You didn't like me when I laughed?”
“You hurt their feelings, I think.”
“I wanted to—the English Grundys! Ah! don't be cross with me! They WERE English Grundys, weren't they—every one?”
She looked into his face so hard, that he felt the blood rush to his cheeks, and a dizzy sensation of being drawn forward.
“They have no blood, those people! Their voices, their supercilious eyes that look you up and down! Oh! I've had so much of them! That woman with her Liberalism, just as bad as any. I hate them all!”
He would have liked to hate them, too, since she did; but they had only seemed to him amusing.
“They aren't human. They don't FEEL! Some day you'll know them. They won't amuse you then!”
She went on, in a quiet, almost dreamy voice:
“Why do they come here? It's still young and warm and good out here. Why don't they keep to their Culture, where no one knows what it is to ache and feel hunger, and hearts don't beat. Feel!”
Disturbed beyond measure, the boy could not tell whether it was in her heart or in his hand that the blood was pulsing so. Was he glad or sorry when she let his hand go?
“Ah, well! They can't spoil this day. Let's rest.”
At the edge of the larch-wood where they sat, were growing numbers of little mountain pinks, with fringed edges and the sweetest scent imaginable; and she got up presently to gather them. But he stayed where he was, and odd sensations stirred in him. The blue of the sky, the feathery green of the larch-trees, the mountains, were no longer to him what they had been early that morning.
She came back with her hands full of the little pinks, spread her fingers and let them drop. They showered all over his face and neck. Never was so wonderful a scent; never such a strange feeling as they gave him. They clung to his hair, his forehead, his eyes, one even got caught on the curve of his lips; and he stared up at her through their fringed petals. There must have been something wild in his eyes then, something of the feeling that was stinging his heart, for her smile died; she walked away, and stood with her face turned from him. Confused, and unhappy, he gathered the strewn flowers; and not till he had collected every one did he get up and shyly take them to her, where she still stood, gazing into the depths of the larch-wood.
What did he know of women, that should make him understand? At his public school he had seen none to speak to; at Oxford, only this one. At home in the holidays, not any, save his sister Cicely. The two hobbies of their guardian, fishing, and the antiquities of his native county, rendered him averse to society; so that his little Devonshire manor-house, with its black oak panels and its wild stone-walled park along the river-side was, from year's end to year's end, innocent of all petticoats, save those of Cicely and old Miss Tring, the governess. Then, too, the boy was shy. No, there was nothing in his past, of not yet quite nineteen years, to go by. He was not of those youths who are always thinking of conquests. The very idea of conquest seemed to him vulgar, mean, horrid. There must be many signs indeed before it would come into his head that a woman was in love with him, especially the one to whom he looked up, and thought so beautiful. For before all beauty he was humble, inclined to think himself a clod. It was the part of life which was always unconsciously sacred, and to be approached trembling. The more he admired, the more tremulous and diffident he became. And so, after his one wild moment, when she plucked those sweet-scented blossoms and dropped them over him, he felt abashed; and walking home beside her he was quieter than ever, awkward to the depths of his soul.
If there were confusion in his heart which had been innocent of trouble, what must there have been in hers, that for so long had secretly desired the dawning of that confusion? And she, too, was very silent.
Passing a church with open door in the outskirts of the village, she said:
“Don't wait for me—I want to go in here a little.”
In the empty twilight within, one figure, a countrywoman in her black shawl, was kneeling—marvellously still. He would have liked to stay. That kneeling figure, the smile of the sunlight filtering through into the half darkness! He lingered long enough to see Anna, too, go down on her knees in the stillness. Was she praying? Again he had the turbulent feeling with which he had watched her pluck those flowers. She looked so splendid kneeling there! It was caddish to feel like that, when she was praying, and he turned quickly away into the road. But that sharp, sweet stinging sensation did not leave him. He shut his eyes to get rid of her image—and instantly she became ten times more visible, his feeling ten times stronger. He mounted to the hotel; there on the terrace was his tutor. And oddly enough, the sight of him at that moment was no more embarrassing than if it had been the hotel concierge. Stormer did not somehow seem to count; did not seem to want you to count him. Besides, he was so old—nearly fifty!
The man who was so old was posed in a characteristic attitude—hands in the pockets of his Norfolk jacket, one shoulder slightly raised, head just a little on one side, as if preparing to quiz something. He spoke as Lennan came up, smiling—but not with his eyes.
“Well, young man, and what have you done with my wife?”
“Left her in a church, sir.”
“Ah! She will do that! Has she run you off your legs? No? Then let's walk and talk a little.”
To be thus pacing up and down and talking with her husband seemed quite natural, did not even interfere with those new sensations, did not in the least increase his shame for having them. He only wondered a little how she could have married him—but so little! Quite far and academic was his wonder—like his wonder in old days how his sister could care to play with dolls. If he had any other feeling, it was just a longing to get away and go down the hill again to the church. It seemed cold and lonely after all that long day with her—as if he had left himself up there, walking along hour after hour, or lying out in the sun beside her. What was old Stormer talking about? The difference between the Greek and Roman views of honour. Always in the past—seemed to think the present was bad form. And he said:
“We met some English Grundys, sir, on the mountain.”
“Ah, yes! Any particular brand?”
“Some advanced, and some not; but all the same, I think, really.”
“I see. Grundys, I think you said?”
“Yes, sir, from this hotel. It was Mrs. Stormer's name for them. They were so very superior.”
There was something unusual in the tone of that little word. And the boy stared—for the first time there seemed a real man standing there. Then the blood rushed up into his cheeks, for there she was! Would she come up to them? How splendid she was looking, burnt by the sun, and walking as if just starting! But she passed into the hotel without turning her head their way. Had he offended, hurt her? He made an excuse, and got away to his room.
In the window from which that same morning he had watched the mountains lying out like lions in the dim light, he stood again, and gazed at the sun dropping over the high horizon. What had happened to him? He felt so different, so utterly different. It was another world. And the most strange feeling came on him, as of the flowers falling again all over his face and neck and hands, the tickling of their soft-fringed edges, the stinging sweetness of their scent. And he seemed to hear her voice saying: “Feel!” and to feel her heart once more beating under his hand.
Alone with that black-shawled figure in the silent church, Anna did not pray. Resting there on her knees, she experienced only the sore sensation of revolt. Why had Fate flung this feeling into her heart, lighted up her life suddenly, if God refused her its enjoyment? Some of the mountain pinks remained clinging to her belt, and the scent of them, crushed against her, warred with the faint odour of age and incense. While they were there, with their enticement and their memories, prayer would never come. But did she want to pray? Did she desire the mood of that poor soul in her black shawl, who had not moved by one hair's breadth since she had been watching her, who seemed resting her humble self so utterly, letting life lift from her, feeling the relief of nothingness? Ah, yes! what would it be to have a life so toilsome, so little exciting from day to day and hour to hour, that just to kneel there in wistful stupor was the greatest pleasure one could know? It was beautiful to see her, but it was sad. And there came over Anna a longing to go up to her neighbour and say: “Tell me your troubles; we are both women.” She had lost a son, perhaps, some love—or perhaps not really love, only some illusion. Ah! Love.... Why should any spirit yearn, why should any body, full of strength and joy, wither slowly away for want of love? Was there not enough in this great world for her, Anna, to have a little? She would not harm him, for she would know when he had had enough of her; she would surely have the pride and grace then to let him go. For, of course, he would get tired of her. At her age she could never hope to hold a boy more than a few years—months, perhaps. But would she ever hold him at all? Youth was so hard—it had no heart! And then the memory of his eyes came back—gazing up, troubled, almost wild—when she had dropped on him those flowers. That memory filled her with a sort of delirium. One look from her then, one touch, and he would have clasped her to him. She was sure of it, yet scarcely dared to believe what meant so much. And suddenly the torment that she must go through, whatever happened, seemed to her too brutal and undeserved! She rose. Just one gleam of sunlight was still slanting through the doorway; it failed by a yard or so to reach the kneeling countrywoman, and Anna watched. Would it steal on and touch her, or would the sun pass down behind the mountains, and it fade away? Unconscious of that issue, the black-shawled figure knelt, never moving. And the beam crept on. “If it touches her, then he will love me, if only for an hour; if it fades out too soon—” And the beam crept on. That shadowy path of light, with its dancing dust-motes, was it indeed charged with Fate—indeed the augury of Love or Darkness? And, slowly moving, it mounted, the sun sinking; it rose above that bent head, hovered in a golden mist, passed—and suddenly was gone.
Unsteadily, seeing nothing plain, Anna walked out of the church. Why she passed her husband and the boy on the terrace without a look she could not quite have said—perhaps because the tortured does not salute her torturers. When she reached her room she felt deadly tired, and lying down on her bed, almost at once fell asleep.
She was wakened by a sound, and, recognizing the delicate 'rat-tat' of her husband's knock, did not answer, indifferent whether he came in or no. He entered noiselessly. If she did not let him know she was awake, he would not wake her. She lay still and watched him sit down astride of a chair, cross his arms on its back, rest his chin on them, and fix his eyes on her. Through her veil of eyelashes she had unconsciously contrived that his face should be the one object plainly seen—the more intensely visualized, because of this queer isolation. She did not feel at all ashamed of this mutual fixed scrutiny, in which she had such advantage. He had never shown her what was in him, never revealed what lay behind those bright satiric eyes. Now, perhaps, she would see! And she lay, regarding him with the intense excited absorption with which one looks at a tiny wildflower through a magnifying-lens, and watches its insignificance expanded to the size and importance of a hothouse bloom. In her mind was this thought: He is looking at me with his real self, since he has no reason for armour against me now. At first his eyes seemed masked with their customary brightness, his whole face with its usual decorous formality; then gradually he became so changed that she hardly knew him. That decorousness, that brightness, melted off what lay behind, as frosty dew melts off grass. And her very soul contracted within her, as if she had become identified with what he was seeing—a something to be passed over, a very nothing. Yes, his was the face of one looking at what was unintelligible, and therefore negligible; at that which had no soul; at something of a different and inferior species and of no great interest to a man. His face was like a soundless avowal of some conclusion, so fixed and intimate that it must surely emanate from the very core of him—be instinctive, unchangeable. This was the real he! A man despising women! Her first thought was: And he's married—what a fate! Her second: If he feels that, perhaps thousands of men do! Am I and all women really what they think us? The conviction in his stare—its through-and-through conviction—had infected her; and she gave in to it for the moment, crushed. Then her spirit revolted with such turbulence, and the blood so throbbed in her, that she could hardly lie still. How dare he think her like that—a nothing, a bundle of soulless inexplicable whims and moods and sensuality? A thousand times, No! It was HE who was the soulless one, the dry, the godless one; who, in his sickening superiority, could thus deny her, and with her all women! That stare was as if he saw her—a doll tricked out in garments labelled soul, spirit, rights, responsibilities, dignity, freedom—all so many words. It was vile, it was horrible, that he should see her thus! And a really terrific struggle began in her between the desire to get up and cry this out, and the knowledge that it would be stupid, undignified, even mad, to show her comprehension of what he would never admit or even understand that he had revealed to her. And then a sort of cynicism came to her rescue. What a funny thing was married life—to have lived all these years with him, and never known what was at the bottom of his heart! She had the feeling now that, if she went up to him and said: “I am in love with that boy!” it would only make him droop the corners of his mouth and say in his most satiric voice: “Really! That is very interesting!”—would not change in one iota his real thoughts of her; only confirm him in the conviction that she was negligible, inexplicable, an inferior strange form of animal, of no real interest to him.
And then, just when she felt that she could not hold herself in any longer, he got up, passed on tiptoe to the door, opened it noiselessly, and went out.
The moment he had gone, she jumped up. So, then, she was linked to one for whom she, for whom women, did not, as it were, exist! It seemed to her that she had stumbled on knowledge of almost sacred importance, on the key of everything that had been puzzling and hopeless in their married life. If he really, secretly, whole-heartedly despised her, the only feeling she need have for one so dry, so narrow, so basically stupid, was just contempt. But she knew well enough that contempt would not shake what she had seen in his face; he was impregnably walled within his clever, dull conviction of superiority. He was for ever intrenched, and she would always be only the assailant. Though—what did it matter, now?
Usually swift, almost careless, she was a long time that evening over her toilette. Her neck was very sunburnt, and she lingered, doubtful whether to hide it with powder, or accept her gipsy colouring. She did accept it, for she saw that it gave her eyes, so like glacier ice, under their black lashes, and her hair, with its surprising glints of flame colour, a peculiar value.
When the dinner-bell rang she passed her husband's door without, as usual, knocking, and went down alone.
In the hall she noticed some of the English party of the mountain hut. They did not greet her, conceiving an immediate interest in the barometer; but she could feel them staring at her very hard. She sat down to wait, and at once became conscious of the boy coming over from the other side of the room, rather like a person walking in his sleep. He said not a word. But how he looked! And her heart began to beat. Was this the moment she had longed for? If it, indeed, had come, dared she take it? Then she saw her husband descending the stairs, saw him greet the English party, heard the intoning of their drawl. She looked up at the boy, and said quickly: “Was it a happy day?” It gave her such delight to keep that look on his face, that look as if he had forgotten everything except just the sight of her. His eyes seemed to have in them something holy at that moment, something of the wonder-yearning of Nature and of innocence. It was dreadful to know that in a moment that look must be gone; perhaps never to come back on his face—that look so precious! Her husband was approaching now! Let him see, if he would! Let him see that someone could adore—that she was not to everyone a kind of lower animal. Yes, he must have seen the boy's face; and yet his expression never changed. He noticed nothing! Or was it that he disdained to notice?
Then followed for young Lennan a strange time, when he never knew from minute to minute whether he was happy—always trying to be with her, restless if he could not be, sore if she talked with and smiled at others; yet, when he was with her, restless too, unsatisfied, suffering from his own timidity.
One wet morning, when she was playing the hotel piano, and he listening, thinking to have her to himself, there came a young German violinist—pale, and with a brown, thin-waisted coat, longish hair, and little whiskers—rather a beast, in fact. Soon, of course, this young beast was asking her to accompany him—as if anyone wanted to hear him play his disgusting violin! Every word and smile that she gave him hurt so, seeing how much more interesting than himself this foreigner was! And his heart grew heavier and heavier, and he thought: If she likes him I ought not to mind—only, I DO mind! How can I help minding? It was hateful to see her smiling, and the young beast bending down to her. And they were talking German, so that he could not tell what they were saying, which made it more unbearable. He had not known there could be such torture.
And then he began to want to hurt her, too. But that was mean—besides, how could he hurt her? She did not care for him. He was nothing to her—only a boy. If she really thought him only a boy, who felt so old—it would be horrible. It flashed across him that she might be playing that young violinist against him! No, she never would do that! But the young beast looked just the sort that might take advantage of her smiles. If only he WOULD do something that was not respectful, how splendid it would be to ask him to come for a walk in the woods, and, having told him why, give him a thrashing. Afterwards, he would not tell her, he would not try to gain credit by it. He would keep away till she wanted him back. But suddenly the thought of what he would feel if she really meant to take this young man as her friend in place of him became so actual, so poignant, so horribly painful, that he got up abruptly and went towards the door. Would she not say a word to him before he got out of the room, would she not try and keep him? If she did not, surely it would be all over; it would mean that anybody was more to her than he. That little journey to the door, indeed, seemed like a march to execution. Would she not call after him? He looked back. She was smiling. But HE could not smile; she had hurt him too much! Turning his head away, he went out, and dashed into the rain bareheaded. The feeling of it on his face gave him a sort of dismal satisfaction. Soon he would be wet through. Perhaps he would get ill. Out here, far away from his people, she would have to offer to nurse him; and perhaps—perhaps in his illness he would seem to her again more interesting than that young beast, and then—Ah! if only he could be ill!
He mounted rapidly through the dripping leaves towards the foot of the low mountain that rose behind the hotel. A trail went up there to the top, and he struck into it, going at a great pace. His sense of injury began dying away; he no longer wanted to be ill. The rain had stopped, the sun came out; he went on, up and up. He would get to the top quicker than anyone ever had! It was something he could do better than that young beast. The pine-trees gave way to stunted larches, and these to pine scrub and bare scree, up which he scrambled, clutching at the tough bushes, terribly out of breath, his heart pumping, the sweat streaming into his eyes. He had no feeling now but wonder whether he would get to the top before he dropped, exhausted. He thought he would die of the beating of his heart; but it was better to die than to stop and be beaten by a few yards. He stumbled up at last on to the little plateau at the top. For full ten minutes he lay there on his face without moving, then rolled over. His heart had given up that terrific thumping; he breathed luxuriously, stretched out his arms along the steaming grass—felt happy. It was wonderful up here, with the sun burning hot in a sky clear-blue already. How tiny everything looked below—hotel, trees, village, chalets—little toy things! He had never before felt the sheer joy of being high up. The rain-clouds, torn and driven in huge white shapes along the mountains to the South, were like an army of giants with chariots and white horses hurrying away. He thought suddenly: “Suppose I had died when my heart pumped so! Would it have mattered the least bit? Everything would be going on just the same, the sun shining, the blue up there the same; and those toy things down in the valley.” That jealousy of his an hour ago, why—it was nothing—he himself nothing! What did it matter if she were nice to that fellow in the brown coat? What did anything matter when the whole thing was so big—and he such a tiny scrap of it?
On the edge of the plateau, to mark the highest point, someone had erected a rude cross, which jutted out stark against the blue sky. It looked cruel somehow, sagged all crooked, and out of place up here; a piece of bad manners, as if people with only one idea had dragged it in, without caring whether or no it suited what was around it. One might just as well introduce one of these rocks into that jolly dark church where he had left her the other day, as put a cross up here.
A sound of bells, and of sniffing and scuffling, roused him; a large grey goat had come up and was smelling at his hair—the leader of a flock, that were soon all round him, solemnly curious, with their queer yellow oblong-pupilled eyes, and their quaint little beards and tails. Awfully decent beasts—and friendly! What jolly things to model! He lay still (having learnt from the fisherman, his guardian, that necessary habit in the presence of all beasts), while the leader sampled the flavour of his neck. The passage of that long rough tongue athwart his skin gave him an agreeable sensation, awakened a strange deep sense of comradeship. He restrained his desire to stroke the creature's nose. It appeared that they now all wished to taste his neck; but some were timid, and the touch of their tongues simply a tickle, so that he was compelled to laugh, and at that peculiar sound they withdrew and gazed at him. There seemed to be no one with them; then, at a little distance, quite motionless in the shade of a rock, he spied the goatherd, a boy about his own age. How lonely he must be up here all day! Perhaps he talked to his goats. He looked as if he might. One would get to have queer thoughts up here, get to know the rocks, and clouds, and beasts, and what they all meant. The goatherd uttered a peculiar whistle, and something, Lennan could not tell exactly what, happened among the goats—a sort of “Here, Sir!” seemed to come from them. And then the goatherd moved out from the shade and went over to the edge of the plateau, and two of the goats that were feeding there thrust their noses into his hand, and rubbed themselves against his legs. The three looked beautiful standing there together on the edge against the sky....
That night, after dinner, the dining-room was cleared for dancing, so that the guests might feel freedom and gaiety in the air. And, indeed, presently, a couple began sawing up and down over the polished boards, in the apologetic manner peculiar to hotel guests. Then three pairs of Italians suddenly launched themselves into space—twirling and twirling, and glaring into each other's eyes; and some Americans, stimulated by their precept, began airily backing and filling. Two of the 'English Grundys' with carefully amused faces next moved out. To Lennan it seemed that they all danced very well, better than he could. Did he dare ask HER? Then he saw the young violinist go up, saw her rise and take his arm and vanish into the dancing-room; and leaning his forehead against a window-pane, with a sick, beaten feeling, he stayed, looking out into the moonlight, seeing nothing. He heard his name spoken; his tutor was standing beside him.
“You and I, Lennan, must console each other. Dancing's for the young, eh?”
Fortunately it was the boy's instinct and his training not to show his feelings; to be pleasant, though suffering.
“Yes, sir. Jolly moonlight, isn't it, out there?”
“Ah! very jolly; yes. When I was your age I twirled the light fantastic with the best. But gradually, Lennan, one came to see it could not be done without a partner—there was the rub! Tell me—do you regard women as responsible beings? I should like to have your opinion on that.”
It was, of course, ironical—yet there was something in those words—something!
“I think it's you, sir, who ought to give me yours.”
“My dear Lennan—my experience is a mere nothing!”
That was meant for unkindness to her! He would not answer. If only Stormer would go away! The music had stopped. They would be sitting out somewhere, talking! He made an effort, and said:
“I was up the hill at the back this morning, where the cross is. There were some jolly goats.”
And suddenly he saw her coming. She was alone—flushed, smiling; it struck him that her frock was the same colour as the moonlight.
“Harold, will you dance?”
He would say 'Yes,' and she would be gone again! But his tutor only made her a little bow, and said with that smile of his:
“Lennan and I have agreed that dancing is for the young.”
“Sometimes the old must sacrifice themselves. Mark, will you dance?”
Behind him he heard his tutor murmur:
“Ah! Lennan—you betray me!”
That little silent journey with her to the dancing-room was the happiest moment perhaps that he had ever known. And he need not have been so much afraid about his dancing. Truly, it was not polished, but it could not spoil hers, so light, firm, buoyant! It was wonderful to dance with her. Only when the music stopped and they sat down did he know how his head was going round. He felt strange, very strange indeed. He heard her say:
“What is it, dear boy? You look so white!”
Without quite knowing what he did, he bent his face towards the hand that she had laid on his sleeve, then knew no more, having fainted.
Growing boy—over-exertion in the morning! That was all! He was himself very quickly, and walked up to bed without assistance. Rotten of him! Never was anyone more ashamed of his little weakness than this boy. Now that he was really a trifle indisposed, he simply could not bear the idea of being nursed at all or tended. Almost rudely he had got away. Only when he was in bed did he remember the look on her face as he left her. How wistful and unhappy, seeming to implore him to forgive her! As if there were anything to forgive! As if she had not made him perfectly happy when she danced with him! He longed to say to her: “If I might be close to you like that one minute every day, then I don't mind all the rest!” Perhaps he would dare say that to-morrow. Lying there he still felt a little funny. He had forgotten to close the ribs of the blinds, and moonlight was filtering in; but he was too idle, too drowsy to get up now and do it. They had given him brandy, rather a lot—that perhaps was the reason he felt so queer; not ill, but mazy, as if dreaming, as if he had lost the desire ever to move again. Just to lie there, and watch the powdery moonlight, and hear faraway music throbbing down below, and still feel the touch of her, as in the dance she swayed against him, and all the time to have the scent about him of flowers! His thoughts were dreams, his dreams thoughts—all precious unreality. And then it seemed to him that the moonlight was gathered into a single slip of pallor—there was a thrumming, a throbbing, and that shape of moonlight moved towards him. It came so close that he felt its warmth against his brow; it sighed, hovered, drew back soundless, and was gone. He must have fallen then into dreamless sleep....
What time was it when he was awakened by that delicate 'rat-tat' to see his tutor standing in the door-way with a cup of tea?
Was young Lennan all right? Yes, he was perfectly all right—would be down directly! It was most frightfully good of Mr. Stormer to come! He really didn't want anything.
Yes, yes; but the maimed and the halt must be attended to!
His face seemed to the boy very kind just then—only to laugh at him a very little—just enough. And it was awfully decent of him to have come, and to stand there while he drank the tea. He was really all right, but for a little headache. Many times while he was dressing he stood still, trying to remember. That white slip of moonlight? Was it moonlight? Was it part of a dream; or was it, could it have been she, in her moonlight-coloured frock? Why had he not stayed awake? He would not dare to ask her, and now would never know whether the vague memory of warmth on his brow had been a kiss.
He breakfasted alone in the room where they had danced. There were two letters for him. One from his guardian enclosing money, and complaining of the shyness of the trout; the other from his sister. The man she was engaged to—he was a budding diplomat, attached to the Embassy at Rome—was afraid that his leave was going to be curtailed. They would have to be married at once. They might even have to get a special licence. It was lucky Mark was coming back so soon. They simply MUST have him for best man. The only bridesmaid now would be Sylvia.... Sylvia Doone? Why, she was only a kid! And the memory of a little girl in a very short holland frock, with flaxen hair, pretty blue eyes, and a face so fair that you could almost see through it, came up before him. But that, of course, was six years ago; she would not still be in a frock that showed her knees, or wear beads, or be afraid of bulls that were never there. It was stupid being best man—they might have got some decent chap! And then he forgot all—for there was SHE, out on the terrace. In his rush to join her he passed several of the 'English Grundys,' who stared at him askance. Indeed, his conduct of the night before might well have upset them. An Oxford man, fainting in an hotel! Something wrong there! . . .
And then, when he reached her, he did find courage.
“Was it really moonlight?”
“But it was warm!”
And, when she did not answer that, he had within him just the same light, intoxicated feeling as after he had won a race at school.
But now came a dreadful blow. His tutor's old guide had suddenly turned up, after a climb with a party of Germans. The war-horse had been aroused in Stormer. He wished to start that afternoon for a certain hut, and go up a certain peak at dawn next day. But Lennan was not to go. Why not? Because of last night's faint; and because, forsooth, he was not some stupid thing they called 'an expert.' As if—! Where she could go he could! This was to treat him like a child. Of course he could go up this rotten mountain. It was because she did not care enough to take him! She did not think him man enough! Did she think that he could not climb what—her husband—could? And if it were dangerous SHE ought not to be going, leaving him behind—that was simply cruel! But she only smiled, and he flung away from her, not having seen that all this grief of his only made her happy.
And that afternoon they went off without him. What deep, dark thoughts he had then! What passionate hatred of his own youth! What schemes he wove, by which she might come back, and find him gone-up some mountain far more dangerous and fatiguing! If people did not think him fit to climb with, he would climb by himself. That, anyway, everyone admitted, was dangerous. And it would be her fault. She would be sorry then. He would get up, and be off before dawn; he put his things out ready, and filled his flask. The moonlight that evening was more wonderful than ever, the mountains like great ghosts of themselves. And she was up there at the hut, among them! It was very long before he went to sleep, brooding over his injuries—intending not to sleep at all, so as to be ready to be off at three o'clock. At NINE o'clock he woke. His wrath was gone; he only felt restless and ashamed. If, instead of flying out, he had made the best of it, he could have gone with them as far as the hut, could have stayed the night there. And now he cursed himself for being such a fool and idiot. Some little of that idiocy he could, perhaps, retrieve. If he started for the hut at once, he might still be in time to meet them coming down, and accompany them home. He swallowed his coffee, and set off. He knew the way at first, then in woods lost it, recovered the right track again at last, but did not reach the hut till nearly two o'clock. Yes, the party had made the ascent that morning—they had been seen, been heard jodelling on the top. Gewiss! Gewiss! But they would not come down the same way. Oh, no! They would be going home down to the West and over the other pass. They would be back in house before the young Herr himself.
He heard this, oddly, almost with relief. Was it the long walk alone, or being up there so high? Or simply that he was very hungry? Or just these nice friendly folk in the hut, and their young daughter with her fresh face, queer little black cloth sailor hat with long ribbons, velvet bodice, and perfect simple manners; or the sight of the little silvery-dun cows, thrusting their broad black noses against her hand? What was it that had taken away from him all his restless feeling, made him happy and content?... He did not know that the newest thing always fascinates the puppy in its gambols! ... He sat a long while after lunch, trying to draw the little cows, watching the sun on the cheek of that pretty maiden, trying to talk to her in German. And when at last he said: “Adieu!” and she murmured “Kuss die Hand. Adieu!” there was quite a little pang in his heart.... Wonderful and queer is the heart of a man!... For all that, as he neared home he hastened, till he was actually running. Why had he stayed so long up there? She would be back—she would expect to see him; and that young beast of a violinist would be with her, perhaps, instead! He reached the hotel just in time to rush up and dress, and rush down to dinner. Ah! They were tired, no doubt—were resting in their rooms. He sat through dinner as best he could; got away before dessert, and flew upstairs. For a minute he stood there doubtful; on which door should he knock? Then timidly he tapped on hers. No answer! He knocked loud on his tutor's door. No answer! They were not back, then. Not back? What could that mean? Or could it be that they were both asleep? Once more he knocked on her door; then desperately turned the handle, and took a flying glance. Empty, tidy, untouched! Not back! He turned and ran downstairs again. All the guests were streaming out from dinner, and he became entangled with a group of 'English Grundys' discussing a climbing accident which had occurred in Switzerland. He listened, feeling suddenly quite sick. One of them, the short grey-bearded Grundy with the rather whispering voice, said to him: “All alone again to-night? The Stormers not back?” Lennan did his best to answer, but something had closed his throat; he could only shake his head.
“They had a guide, I think?” said the 'English Grundy.'
This time Lennan managed to get out: “Yes, sir.”
“Stormer, I fancy, is quite an expert!” and turning to the lady whom the young 'Grundys' addressed as 'Madre' he added:
“To me the great charm of mountain-climbing was always the freedom from people—the remoteness.”
The mother of the young 'Grundys,' looking at Lennan with her half-closed eyes, answered:
“That, to me, would be the disadvantage; I always like to be mixing with my own kind.”
The grey-bearded 'Grundy' murmured in a muffled voice:
“Dangerous thing, that, to say—in an hotel!”
And they went on talking, but of what Lennan no longer knew, lost in this sudden feeling of sick fear. In the presence of these 'English Grundys,' so superior to all vulgar sensations, he could not give vent to his alarm; already they viewed him as unsound for having fainted. Then he grasped that there had begun all round him a sort of luxurious speculation on what might have happened to the Stormers. The descent was very nasty; there was a particularly bad traverse. The 'Grundy,' whose collar was not now crumpled, said he did not believe in women climbing. It was one of the signs of the times that he most deplored. The mother of the young 'Grundys' countered him at once: In practice she agreed that they were out of place, but theoretically she could not see why they should not climb. An American standing near threw all into confusion by saying he guessed that it might be liable to develop their understandings. Lennan made for the front door. The moon had just come up over in the South, and exactly under it he could see their mountain. What visions he had then! He saw her lying dead, saw himself climbing down in the moonlight and raising her still-living, but half-frozen, form from some perilous ledge. Even that was almost better than this actuality of not knowing where she was, or what had happened. People passed out into the moonlight, looking curiously at his set face staring so fixedly. One or two asked him if he were anxious, and he answered: “Oh no, thanks!” Soon there would have to be a search party. How soon? He would, he must be, of it! They should not stop him this time. And suddenly he thought: Ah, it is all because I stayed up there this afternoon talking to that girl, all because I forgot HER!
And then he heard a stir behind him. There they were, coming down the passage from a side door—she in front with her alpenstock and rucksack—smiling. Instinctively he recoiled behind some plants. They passed. Her sunburned face, with its high cheek-bones and its deep-set eyes, looked so happy; smiling, tired, triumphant. Somehow he could not bear it, and when they were gone by he stole out into the wood and threw himself down in shadow, burying his face, and choking back a horrible dry sobbing that would keep rising in his throat.
Next day he was happy; for all the afternoon he lay out in the shade of that same wood at her feet, gazing up through larch-boughs. It was so wonderful, with nobody but Nature near. Nature so alive, and busy, and so big!
Coming down from the hut the day before, he had seen a peak that looked exactly like the figure of a woman with a garment over her head, the biggest statue in the world; from further down it had become the figure of a bearded man, with his arm bent over his eyes. Had she seen it? Had she noticed how all the mountains in moonlight or very early morning took the shape of beasts? What he wanted most in life was to be able to make images of beasts and creatures of all sorts, that were like—that had—that gave out the spirit of—Nature; so that by just looking at them one could have all those jolly feelings one had when one was watching trees, and beasts, and rocks, and even some sorts of men—but not 'English Grundys.'
So he was quite determined to study Art?
Oh yes, of course!
He would want to leave—Oxford, then!
No, oh no! Only some day he would have to.
She answered: “Some never get away!”
And he said quickly: “Of course, I shall never want to leave Oxford while you are there.”
He heard her draw her breath in sharply.
“Oh yes, you will! Now help me up!” And she led the way back to the hotel.
He stayed out on the terrace when she had gone in, restless and unhappy the moment he was away from her. A voice close by said:
“Well, friend Lennan—brown study, or blue devils, which?”
There, in one of those high wicker chairs that insulate their occupants from the world, he saw his tutor leaning back, head a little to one side, and tips of fingers pressed together. He looked like an idol sitting there inert, and yet—yesterday he had gone up that mountain!
“Cheer up! You will break your neck yet! When I was your age, I remember feeling it deeply that I was not allowed to risk the lives of others.”
Lennan stammered out:
“I didn't think of that; but I thought where Mrs. Stormer could go, I could.”
“Ah! For all our admiration we cannot quite admit—can we, when it comes to the point?”
The boy's loyalty broke into flame:
“It's not that. I think Mrs. Stormer as good as any man—only—only—”
“Not quite so good as you, eh?”
“A hundred times better, sir.”
Stormer smiled. Ironic beast!
“Lennan,” he said, “distrust hyperbole.”
“Of course, I know I'm no good at climbing,” the boy broke out again; “but—but—I thought where she was allowed to risk her life, I ought to be!”
“Good! I like that.” It was said so entirely without irony for once, that the boy was disconcerted.
“You are young, Brother Lennan,” his tutor went on. “Now, at what age do you consider men develop discretion? Because, there is just one thing always worth remembering—women have none of that better part of valour.”
“I think women are the best things in the world,” the boy blurted out.
“May you long have that opinion!” His tutor had risen, and was ironically surveying his knees. “A bit stiff!” he said. “Let me know when you change your views!”
“I never shall, sir.”
“Ah, ah! Never is a long word, Lennan. I am going to have some tea;” and gingerly he walked away, quizzing, as it were, with a smile, his own stiffness.
Lennan remained where he was, with burning cheeks. His tutor's words again had seemed directed against her. How could a man say such things about women! If they were true, he did not want to know; if they were not true, it was wicked to say them. It must be awful never to have generous feelings; always to have to be satirical. Dreadful to be like the 'English Grundys'; only different, of course, because, after all, old Stormer was much more interesting and intelligent—ever so much more; only, just as 'superior.' “Some never get away!” Had she meant—from that superiority? Just down below were a family of peasants scything and gathering in the grass. One could imagine her doing that, and looking beautiful, with a coloured handkerchief over her head; one could imagine her doing anything simple—one could not imagine old Stormer doing anything but what he did do. And suddenly the boy felt miserable, oppressed by these dim glimmerings of lives misplaced. And he resolved that he would not be like Stormer when he was old! No, he would rather be a regular beast than be like that! . . .
When he went to his room to change for dinner he saw in a glass of water a large clove carnation. Who had put it there? Who could have put it there—but she? It had the same scent as the mountain pinks she had dropped over him, but deeper, richer—a scent moving, dark, and sweet. He put his lips to it before he pinned it into his coat.
There was dancing again that night—more couples this time, and a violin beside the piano; and she had on a black frock. He had never seen her in black. Her face and neck were powdered over their sunburn. The first sight of that powder gave him a faint shock. He had not somehow thought that ladies ever put on powder. But if SHE did—then it must be right! And his eyes never left her. He saw the young German violinist hovering round her, even dancing with her twice; watched her dancing with others, but all without jealousy, without troubling; all in a sort of dream. What was it? Had he been bewitched into that queer state, bewitched by the gift of that flower in his coat? What was it, when he danced with her, that kept him happy in her silence and his own? There was no expectation in him of anything that she would say, or do—no expectation, no desire. Even when he wandered out with her on to the terrace, even when they went down the bank and sat on a bench above the fields where the peasants had been scything, he had still no feeling but that quiet, dreamy adoration. The night was black and dreamy too, for the moon was still well down behind the mountains. The little band was playing the next waltz; but he sat, not moving, not thinking, as if all power of action and thought had been stolen out of him. And the scent of the flower in his coat rose, for there was no wind. Suddenly his heart stopped beating. She had leaned against him, he felt her shoulder press his arm, her hair touch his cheek. He closed his eyes then, and turned his face to her. He felt her lips press his mouth with a swift, burning kiss. He sighed, stretched out his arms. There was nothing there but air. The rustle of her dress against the grass was all! The flower—it, too, was gone.
Not one minute all that night did Anna sleep. Was it remorse that kept her awake, or the intoxication of memory? If she felt that her kiss had been a crime, it was not against her husband or herself, but against the boy—the murder of illusion, of something sacred. But she could not help feeling a delirious happiness too, and the thought of trying to annul what she had done did not even occur to her.
He was ready, then, to give her a little love! Ever so little, compared to hers, but still a little! There could be no other meaning to that movement of his face with the closed eyes, as if he would nestle it down on her breast.
Was she ashamed of her little manoeuvres of these last few days—ashamed of having smiled at the young violinist, of that late return from the mountain climb, of the flower she had given him, of all the conscious siege she had laid since the evening her husband came in and sat watching her, without knowing that she saw him? No; not really ashamed! Her remorse rose only from the kiss. It hurt to think of that, because it was death, the final extinction of the mother-feeling in her; the awakening of—who knew what—in the boy! For if she was mysterious to him, what was he not to her, with his eagerness, and his dreaminess, his youthful warmth, his innocence! What if it had killed in him trust, brushed off the dew, tumbled a star down? Could she forgive herself for that? Could she bear it if she were to make him like so many other boys, like that young violinist; just a cynical youth, looking on women as what they called 'fair game'? But COULD she make him into such—would he ever grow like that? Oh! surely not; or she would not have loved him from the moment she first set eyes on him and spoke of him as 'an angel.'
After that kiss—that crime, if it were one—in the dark she had not known what he had done, where gone—perhaps wandering, perhaps straight up to his room. Why had she refrained, left him there, vanished out of his arms? This she herself hardly understood. Not shame; not fear; reverence perhaps—for what? For love—for the illusion, the mystery, all that made love beautiful; for youth, and the poetry of it; just for the sake of the black still night itself, and the scent of that flower—dark flower of passion that had won him to her, and that she had stolen back, and now wore all night long close to her neck, and in the morning placed withered within her dress. She had been starved so long, and so long waited for that moment—it was little wonder if she did not clearly know why she had done just this, and not that!
And now how should she meet him, how first look into his eyes? Would they have changed? Would they no longer have the straight look she so loved? It would be for her to lead, to make the future. And she kept saying to herself: I am not going to be afraid. It is done. I will take what life offers! Of her husband she did not think at all.
But the first moment she saw the boy, she knew that something from outside, and untoward, had happened since that kiss. He came up to her, indeed, but he said nothing, stood trembling all over and handed her a telegram that contained these words: “Come back at once Wedding immediate Expect you day after to-morrow. Cicely.” The words grew indistinct even as she read them, and the boy's face all blurred. Then, making an effort, she said quietly:
“Of course, you must go. You cannot miss your only sister's wedding.”
Without protest he looked at her; and she could hardly bear that look—it seemed to know so little, and ask so much. She said: “It is nothing—only a few days. You will come back, or we will come to you.”
His face brightened at once.
“Will you really come to us soon, at once—if they ask you? Then I don't mind—I—I—” And then he stopped, choking.
She said again:
“Ask us. We will come.”
He seized her hand; pressed and pressed it in both his own, then stroked it gently, and said:
“Oh! I'm hurting it!”
She laughed, not wishing to cry.
In a few minutes he would have to start to catch the only train that would get him home in time.
She went and helped him to pack. Her heart felt like lead, but, not able to bear that look on his face again, she kept cheerfully talking of their return, asking about his home, how to get to it, speaking of Oxford and next term. When his things were ready she put her arms round his neck, and for a moment pressed him to her. Then she escaped. Looking back from his door, she saw him standing exactly as when she had withdrawn her arms. Her cheeks were wet; she dried them as she went downstairs. When she felt herself safe, she went out on the terrace. Her husband was there, and she said to him:
“Will you come with me into the town? I want to buy some things.”
He raised his eyebrows, smiled dimly, and followed her. They walked slowly down the hill into the long street of the little town. All the time she talked of she knew not what, and all the time she thought: His carriage will pass—his carriage will pass!
Several carriages went jingling by. At last he came. Sitting there, and staring straight before him, he did not see them. She heard her husband say:
“Hullo! Where is our young friend Lennan off to, with his luggage—looking like a lion cub in trouble?”
She answered in a voice that she tried to make clear and steady:
“There must be something wrong; or else it is his sister's wedding.”
She felt that her husband was gazing at her, and wondered what her face was like; but at that moment the word “Madre!” sounded close in her ear and they were surrounded by a small drove of 'English Grundys.'
That twenty mile drive was perhaps the worst part of the journey for the boy. It is always hard to sit still and suffer.
When Anna left him the night before, he had wandered about in the dark, not knowing quite where he went. Then the moon came up, and he found himself sitting under the eave of a barn close to a chalet where all was dark and quiet; and down below him the moon-whitened valley village—its roofs and spires and little glamorous unreal lights.
In his evening suit, his dark ruffled hair uncovered, he would have made a quaint spectacle for the owners of that chalet, if they had chanced to see him seated on the hay-strewn boards against their barn, staring before him with such wistful rapture. But they were folk to whom sleep was precious....
And now it was all snatched away from him, relegated to some immensely far-off future. Would it indeed be possible to get his guardian to ask them down to Hayle? And would they really come? His tutor would surely never care to visit a place right away in the country—far from books and everything! He frowned, thinking of his tutor, but it was with perplexity—no other feeling. And yet, if he could not have them down there, how could he wait the two whole months till next term began! So went his thoughts, round and round, while the horses jogged, dragging him further and further from her.
It was better in the train; the distraction of all the strange crowd of foreigners, the interest of new faces and new country; and then sleep—a long night of it, snoozed up in his corner, thoroughly fagged out. And next day more new country, more new faces; and slowly, his mood changing from ache and bewilderment to a sense of something promised, delightful to look forward to. Then Calais at last, and a night-crossing in a wet little steamer, a summer gale blowing spray in his face, waves leaping white in a black sea, and the wild sound of the wind. On again to London, the early drive across the town, still sleepy in August haze; an English breakfast—porridge, chops, marmalade. And, at last, the train for home. At all events he could write to her, and tearing a page out of his little sketch-book, he began:
“I am writing in the train, so please forgive this joggly writing—”
Then he did not know how to go on, for all that he wanted to say was such as he had never even dreamed of writing—things about his feelings which would look horrible in words; besides, he must not put anything that might not be read, by anyone, so what was there to say?
“It has been such a long journey,” he wrote at last, “away from the Tyrol;” (he did not dare even to put “from you,”) “I thought it would never end. But at last it has—very nearly. I have thought a great deal about the Tyrol. It was a lovely time—the loveliest time I have ever had. And now it's over, I try to console myself by thinking of the future, but not the immediate future—THAT is not very enjoyable. I wonder how the mountains are looking to-day. Please give my love to them, especially the lion ones that come and lie out in the moonlight—you will not recognize them from this”—then followed a sketch. “And this is the church we went to, with someone kneeling. And this is meant for the 'English Grundys,' looking at someone who is coming in very late with an alpenstock—only, I am better at the 'English Grundys' than at the person with the alpenstock. I wish I were the 'English Grundys' now, still in the Tyrol. I hope I shall get a letter from you soon; and that it will say you are getting ready to come back. My guardian will be awfully keen for you to come and stay with us. He is not half bad when you know him, and there will be his sister, Mrs. Doone, and her daughter left there after the wedding. It will be simply disgusting if you and Mr. Stormer don't come. I wish I could write all I feel about my lovely time in the Tyrol, but you must please imagine it.”
And just as he had not known how to address her, so he could not tell how to subscribe himself, and only put “Mark Lennan.”
He posted the letter at Exeter, where he had some time to wait; and his mind moved still more from past to future. Now that he was nearing home he began to think of his sister. In two days she would be gone to Italy; he would not see her again for a long time, and a whole crowd of memories began to stretch out hands to him. How she and he used to walk together in the walled garden, and on the sunk croquet ground; she telling him stories, her arm round his neck, because she was two years older, and taller than he in those days. Their first talk each holidays, when he came back to her; the first tea—with unlimited jam—in the old mullion-windowed, flower-chintzed schoolroom, just himself and her and old Tingle (Miss Tring, the ancient governess, whose chaperonage would now be gone), and sometimes that kid Sylvia, when she chanced to be staying there with her mother. Cicely had always understood him when he explained to her how inferior school was, because nobody took any interest in beasts or birds except to kill them; or in drawing, or making things, or anything decent. They would go off together, rambling along the river, or up the park, where everything looked so jolly and wild—the ragged oak-trees, and huge boulders, of whose presence old Godden, the coachman, had said: “I can't think but what these ha' been washed here by the Flood, Mast' Mark!” These and a thousand other memories beset his conscience now. And as the train drew closer to their station, he eagerly made ready to jump out and greet her. There was the honeysuckle full out along the paling of the platform over the waiting-room; wonderful, this year—and there was she, standing alone on the platform. No, it was not Cicely! He got out with a blank sensation, as if those memories had played him false. It was a girl, indeed, but she only looked about sixteen, and wore a sunbonnet that hid her hair and half her face. She had on a blue frock, and some honeysuckle in her waist-belt. She seemed to be smiling at him, and expecting him to smile at her; and so he did smile. She came up to him then, and said:
He answered: “Oh! thanks awfully—it was awfully good of you to come and meet me.”
“Cicely's so busy. It's only the T-cart. Have you got much luggage?”
She took up his hold-all, and he took it from her; she took his bag, and he took it from her; then they went out to the T-cart. A small groom stood there, holding a silver-roan cob with a black mane and black swish tail.
She said: “D'you mind if I drive, because I'm learning.”
And he answered: “Oh, no! rather not.”
She got up; he noticed that her eyes looked quite excited. Then his portmanteau came out and was deposited with the other things behind; and he got up beside her.
She said: “Let go, Billy.”
The roan rushed past the little groom, whose top boots seemed to twinkle as he jumped up behind. They whizzed round the corner from the station yard, and observing that her mouth was just a little open as though this had disconcerted her, he said:
“He pulls a bit.”
“Yes—but isn't he perfectly sweet?”
“He IS rather decent.”
Ah! when SHE came, he would drive her; they would go off alone in the T-cart, and he would show her all the country round.
He was re-awakened by the words:
“Oh! I know he's going to shy!” At once there was a swerve. The roan was cantering.
They had passed a pig.
“Doesn't he look lovely now? Ought I to have whipped him when he shied?”
“Because horses are horses, and pigs are pigs; it's natural for horses to shy at them.”
He looked up at her then, sidelong. The curve of her cheek and chin looked very soft, and rather jolly.
“I didn't know you, you know!” he said. “You've grown up so awfully.”
“I knew you at once. Your voice is still furry.”
There was another silence, till she said:
“He does pull, rather—doesn't he, going home?”
“Shall I drive?”
He stood up and took the reins, and she slipped past under them in front of him; her hair smelt exactly like hay, as she was softly bumped against him.
She kept regarding him steadily with very blue eyes, now that she was relieved of driving.
“Cicely was afraid you weren't coming,” she said suddenly. “What sort of people are those old Stormers?”
He felt himself grow very red, choked something down, and answered:
“It's only he that's old. She's not more than about thirty-five.”
“That IS old.”
He restrained the words: “Of course it's old to a kid like you!” And, instead, he looked at her. Was she exactly a kid? She seemed quite tall (for a girl) and not very thin, and there was something frank and soft about her face, and as if she wanted you to be nice to her.
“Is she very pretty?”
This time he did not go red, such was the disturbance that question made in him. If he said: “Yes,” it was like letting the world know his adoration; but to say anything less would be horrible, disloyal. So he did say: “Yes,” listening hard to the tone of his own voice.
“I thought she was. Do you like her very much?” Again he struggled with that thing in his throat, and again said: “Yes.”
He wanted to hate this girl, yet somehow could not—she looked so soft and confiding. She was staring before her now, her lips still just parted, so evidently THAT had not been because of Bolero's pulling; they were pretty all the same, and so was her short, straight little nose, and her chin, and she was awfully fair. His thoughts flew back to that other face—so splendid, so full of life. Suddenly he found himself unable to picture it—for the first time since he had started on his journey it would not come before him.
Her hand was pulling at his arm. There in the field over the hedge a buzzard hawk was dropping like a stone.
“Oh, Mark! Oh! Oh! It's got it!”
She was covering her face with both her hands, and the hawk, with a young rabbit in its claws, was sailing up again. It looked so beautiful that he did not somehow feel sorry for the rabbit; but he wanted to stroke and comfort her, and said:
“It's all right, Sylvia; it really is. The rabbit's dead already, you know. And it's quite natural.”
She took her hands away from a face that looked just as if she were going to cry.
“Poor little rabbit! It was such a little one!”
On the afternoon of the day following he sat in the smoking-room with a prayer book in his hand, and a frown on his forehead, reading the Marriage Service. The book had been effectively designed for not spoiling the figure when carried in a pocket. But this did not matter, for even if he could have read the words, he would not have known what they meant, seeing that he was thinking how he could make a certain petition to a certain person sitting just behind at a large bureau with a sliding top, examining artificial flies.
He fixed at last upon this form:
“Gordy!” (Why Gordy no one quite knew now—whether because his name was George, or by way of corruption from Guardian.) “When Cis is gone it'll be rather awful, won't it?”
“Not a bit.”
Mr. Heatherley was a man of perhaps sixty-four, if indeed guardians have ages, and like a doctor rather than a squire; his face square and puffy, his eyes always half-closed, and his curly mouth using bluntly a voice of that refined coarseness peculiar to people of old family.
“But it will, you know!”
“Well, supposin' it is?”
“I only wondered if you'd mind asking Mr. and Mrs. Stormer to come here for a little—they were awfully kind to me out there.”
“Strange man and woman! My dear fellow!”
“Mr. Stormer likes fishing.”
“Does he? And what does she like?”
Very grateful that his back was turned, the boy said:
“I don't know—anything—she's awfully nice.”
He answered faintly:
“I don't know what YOU call pretty, Gordy.”
He felt, rather than saw, his guardian scrutinizing him with those half-closed eyes under their gouty lids.
“All right; do as you like. Have 'em here and have done with it, by all means.”
Did his heart jump? Not quite; but it felt warm and happy, and he said:
“Thanks awfully, Gordy. It's most frightfully decent of you,” and turned again to the Marriage Service. He could make out some of it. In places it seemed to him fine, and in other places queer. About obeying, for instance. If you loved anybody, it seemed rotten to expect them to obey you. If you loved them and they loved you, there couldn't ever be any question of obeying, because you would both do the things always of your own accord. And if they didn't love you, or you them, then—oh! then it would be simply too disgusting for anything, to go on living with a person you didn't love or who didn't love you. But of course SHE didn't love his tutor. Had she once? Those bright doubting eyes, that studiously satiric mouth came very clearly up before him. You could not love them; and yet—he was really very decent. A feeling as of pity, almost of affection, rose in him for his remote tutor. It was queer to feel so, since the last time they had talked together out there, on the terrace, he had not felt at all like that.
The noise of the bureau top sliding down aroused him; Mr. Heatherley was closing in the remains of the artificial flies. That meant he would be going out to fish. And the moment he heard the door shut, Mark sprang up, slid back the bureau top, and began to write his letter. It was hard work.
“DEAR MRS. STORMER,
“My guardian wishes me to beg you and Mr. Stormer to pay us a visit as soon as you come back from the Tyrol. Please tell Mr. Stormer that only the very best fishermen—like him—can catch our trout; the rest catch our trees. This is me catching our trees (here followed a sketch). My sister is going to be married to-morrow, and it will be disgusting afterwards unless you come. So do come, please. And with my very best greetings,
“Your humble servant,
When he had stamped this production and dropped it in the letter-box, he had the oddest feeling, as if he had been let out of school; a desire to rush about, to frolic. What should he do? Cis, of course, would be busy—they were all busy about the wedding. He would go and saddle Bolero, and jump him in the park; or should he go down along the river and watch the jays? Both seemed lonely occupations. And he stood in the window—dejected. At the age of five, walking with his nurse, he had been overheard remarking: “Nurse, I want to eat a biscuit—ALL THE WAY I want to eat a biscuit!” and it was still rather so with him perhaps—all the way he wanted to eat a biscuit. He bethought him then of his modelling, and went out to the little empty greenhouse where he kept his masterpieces. They seemed to him now quite horrible—and two of them, the sheep and the turkey, he marked out for summary destruction. The idea occurred to him that he might try and model that hawk escaping with the little rabbit; but when he tried, no nice feeling came, and flinging the things down he went out. He ran along the unweeded path to the tennis ground—lawn tennis was then just coming in. The grass looked very rough. But then, everything about that little manor house was left rather wild and anyhow; why, nobody quite knew, and nobody seemed to mind. He stood there scrutinizing the condition of the ground. A sound of humming came to his ears. He got up on the wall. There was Sylvia sitting in the field, making a wreath of honeysuckle. He stood very quiet and listened. She looked pretty—lost in her tune. Then he slid down off the wall, and said gently:
She looked round at him, her eyes very wide open.
“Your voice is jolly, Sylvia!”
“It is. Come and climb a tree!”
“In the park, of course.”
They were some time selecting the tree, many being too easy for him, and many too hard for her; but one was found at last, an oak of great age, and frequented by rooks. Then, insisting that she must be roped to him, he departed to the house for some blind-cord. The climb began at four o'clock—named by him the ascent of the Cimone della Pala. He led the momentous expedition, taking a hitch of the blind-cord round a branch before he permitted her to move. Two or three times he was obliged to make the cord fast and return to help her, for she was not an 'expert'; her arms seemed soft, and she was inclined to straddle instead of trusting to one foot. But at last they were settled, streaked indeed with moss, on the top branch but two. They rested there, silent, listening to the rooks soothing an outraged dignity. Save for this slowly subsiding demonstration it was marvellously peaceful and remote up there, half-way to a blue sky thinly veiled from them by the crinkled brown-green leaves. The peculiar dry mossy smell of an oak-tree was disturbed into the air by the least motion of their feet or hands against the bark. They could hardly see the ground, and all around, other gnarled trees barred off any view.
“If we stay up here till it's dark we might see owls.”
“Oh, no! Owls are horrible!”
“What! They're LOVELY—especially the white ones.”
“I can't stand their eyes, and they squeak so when they're hunting.”
“Oh! but that's so jolly, and their eyes are beautiful.”
“They're always catching mice and little chickens; all sorts of little things.”
“But they don't mean to; they only want them to eat. Don't you think things are jolliest at night?”
She slipped her arm in his.
“No; I don't like the dark.”
“Why not? It's splendid—when things get mysterious.” He dwelt lovingly on that word.
“I don't like mysterious things. They frighten you.”
“No, I like early morning—especially in spring, when it's beginning to get leafy.”
“Well, of course.”
She was leaning against him, for safety, just a little; and stretching out his arm, he took good hold of the branch to make a back for her. There was a silence. Then he said:
“If you could only have one tree, which would you have?”
“Not oaks. Limes—no—birches. Which would you?”
He pondered. There were so many trees that were perfect. Birches and limes, of course; but beeches and cypresses, and yews, and cedars, and holm-oaks—almost, and plane-trees; then he said suddenly:
“Pines; I mean the big ones with reddish stems and branches pretty high up.”
Again he pondered. It was very important to explain exactly why; his feelings about everything were concerned in this. And while he mused she gazed at him, as if surprised to see anyone think so deeply. At last he said:
“Because they're independent and dignified and never quite cold, and their branches seem to brood, but chiefly because the ones I mean are generally out of the common where you find them. You know—just one or two, strong and dark, standing out against the sky.”
“They're TOO dark.”
It occurred to him suddenly that he had forgotten larches. They, of course, could be heavenly, when you lay under them and looked up at the sky, as he had that afternoon out there. Then he heard her say:
“If I could only have one flower, I should have lilies of the valley, the small ones that grow wild and smell so jolly.”
He had a swift vision of another flower, dark—very different, and was silent.
“What would you have, Mark?” Her voice sounded a little hurt. “You ARE thinking of one, aren't you?”
He said honestly:
“Yes, I am.”
“It's dark, too; you wouldn't care for it a bit.”
“How d'you know?”
“A clove carnation.”
“But I do like it—only—not very much.”
He nodded solemnly.
“I knew you wouldn't.”
Then a silence fell between them. She had ceased to lean against him, and he missed the cosy friendliness of it. Now that their voices and the cawings of the rooks had ceased, there was nothing heard but the dry rustle of the leaves, and the plaintive cry of a buzzard hawk hunting over the little tor across the river. There were nearly always two up there, quartering the sky. To the boy it was lovely, that silence—like Nature talking to you—Nature always talked in silences. The beasts, the birds, the insects, only really showed themselves when you were still; you had to be awfully quiet, too, for flowers and plants, otherwise you couldn't see the real jolly separate life there was in them. Even the boulders down there, that old Godden thought had been washed up by the Flood, never showed you what queer shapes they had, and let you feel close to them, unless you were thinking of nothing else. Sylvia, after all, was better in that way than he had expected. She could keep quiet (he had thought girls hopeless); she was gentle, and it was rather jolly to watch her. Through the leaves there came the faint far tinkle of the tea-bell.
She said: “We must get down.”
It was much too jolly to go in, really. But if she wanted her tea—girls always wanted tea! And, twisting the cord carefully round the branch, he began to superintend her descent. About to follow, he heard her cry:
“Oh, Mark! I'm stuck—I'm stuck! I can't reach it with my foot! I'm swinging!” And he saw that she WAS swinging by her hands and the cord.
“Let go; drop on to the branch below—the cord'll hold you straight till you grab the trunk.”
Her voice mounted piteously:
“I can't—I really can't—I should slip!”
He tied the cord, and slithered hastily to the branch below her; then, bracing himself against the trunk, he clutched her round the waist and knees; but the taut cord held her up, and she would not come to anchor. He could not hold her and untie the cord, which was fast round her waist. If he let her go with one hand, and got out his knife, he would never be able to cut and hold her at the same time. For a moment he thought he had better climb up again and slack off the cord, but he could see by her face that she was getting frightened; he could feel it by the quivering of her body.
“If I heave you up,” he said, “can you get hold again above?” And, without waiting for an answer, he heaved. She caught hold frantically.
“Hold on just for a second.”
She did not answer, but he saw that her face had gone very white. He snatched out his knife and cut the cord. She clung just for that moment, then came loose into his arms, and he hauled her to him against the trunk. Safe there, she buried her face on his shoulder. He began to murmur to her and smooth her softly, with quite a feeling of its being his business to smooth her like this, to protect her. He knew she was crying, but she let no sound escape, and he was very careful not to show that he knew, for fear she should feel ashamed. He wondered if he ought to kiss her. At last he did, on the top of her head, very gently. Then she put up her face and said she was a beast. And he kissed her again on an eyebrow.
After that she seemed all right, and very gingerly they descended to the ground, where shadows were beginning to lengthen over the fern and the sun to slant into their eyes.
The night after the wedding the boy stood at the window of his pleasant attic bedroom, with one wall sloping, and a faint smell of mice. He was tired and excited, and his brain, full of pictures. This was his first wedding, and he was haunted by a vision of his sister's little white form, and her face with its starry eyes. She was gone—his no more! How fearful the Wedding March had sounded on that organ—that awful old wheezer; and the sermon! One didn't want to hear that sort of thing when one felt inclined to cry. Even Gordy had looked rather boiled when he was giving her away. With perfect distinctness he could still see the group before the altar rails, just as if he had not been a part of it himself. Cis in her white, Sylvia in fluffy grey; his impassive brother-in-law's tall figure; Gordy looking queer in a black coat, with a very yellow face, and eyes still half-closed. The rotten part of it all had been that you wanted to be just FEELING, and you had to be thinking of the ring, and your gloves, and whether the lowest button of your white waistcoat was properly undone. Girls could do both, it seemed—Cis seemed to be seeing something wonderful all the time, and Sylvia had looked quite holy. He himself had been too conscious of the rector's voice, and the sort of professional manner with which he did it all, as if he were making up a prescription, with directions how to take it. And yet it was all rather beautiful in a kind of fashion, every face turned one way, and a tremendous hush—except for poor old Godden's blowing of his nose with his enormous red handkerchief; and the soft darkness up in the roof, and down in the pews; and the sunlight brightening the South windows. All the same, it would have been much jollier just taking hands by themselves somewhere, and saying out before God what they really felt—because, after all, God was everything, everywhere, not only in stuffy churches. That was how HE would like to be married, out of doors on a starry night like this, when everything felt wonderful all round you. Surely God wasn't half as small as people seemed always making Him—a sort of superior man a little bigger than themselves! Even the very most beautiful and wonderful and awful things one could imagine or make, could only be just nothing to a God who had a temple like the night out there. But then you couldn't be married alone, and no girl would ever like to be married without rings and flowers and dresses, and words that made it all feel small and cosy! Cis might have, perhaps, only she wouldn't, because of not hurting other people's feelings; but Sylvia—never—she would be afraid. Only, of course, she was young! And the thread of his thoughts broke—and scattered like beads from a string.
Leaning out, and resting his chin on his hands, he drew the night air into his lungs. Honeysuckle, or was it the scent of lilies still? The stars all out, and lots of owls to-night—four at least. What would night be like without owls and stars? But that was it—you never could think what things would be like if they weren't just what and where they were. You never knew what was coming, either; and yet, when it came, it seemed as if nothing else ever could have come. That was queer-you could do anything you liked until you'd done it, but when you HAD done it, then you knew, of course, that you must always have had to... What was that light, below and to the left? Whose room? Old Tingle's—no, the little spare room—Sylvia's! She must be awake, then! He leaned far out, and whispered in the voice she had said was still furry:
The light flickered, he could just see her head appear, with hair all loose, and her face turning up to him. He could only half see, half imagine it, mysterious, blurry; and he whispered:
“Isn't this jolly?”
The whisper travelled back:
“Aren't you sleepy?”
“No; are you?”
“Not a bit. D'you hear the owls?”
“Doesn't it smell good?”
“Perfect. Can you see me?”
“Only just, not too much. Can you?”
“I can't see your nose. Shall I get the candle?”
“No—that'd spoil it. What are you sitting on?”
“The window sill.”
“It doesn't twist your neck, does it?”
“No—o—only a little bit.”
“Are you hungry?”
“Wait half a shake. I'll let down some chocolate in my big bath towel; it'll swing along to you—reach out.”
A dim white arm reached out.
“Catch! I say, you won't get cold?”
“It's too jolly to sleep, isn't it?”
“Which star is yours? Mine is the white one over the top branch of the big sycamore, from here.”
“Mine is that twinkling red one over the summer house. Sylvia!”
“Oh! I couldn't—what was it?”
“No, but what WAS it?”
“Only my star. It's caught in your hair.”
Silence, then, until her awed whisper:
And his floating down, dying away:
What had stirred—some window opened? Cautiously he spied along the face of the dim house. There was no light anywhere, nor any shifting blur of white at her window below. All was dark, remote—still sweet with the scent of something jolly. And then he saw what that something was. All over the wall below his window white jessamine was in flower—stars, not only in the sky. Perhaps the sky was really a field of white flowers; and God walked there, and plucked the stars....
The next morning there was a letter on his plate when he came down to breakfast. He couldn't open it with Sylvia on one side of him, and old Tingle on the other. Then with a sort of anger he did open it. He need not have been afraid. It was written so that anyone might have read; it told of a climb, of bad weather, said they were coming home. Was he relieved, disturbed, pleased at their coming back, or only uneasily ashamed? She had not got his second letter yet. He could feel old Tingle looking round at him with those queer sharp twinkling eyes of hers, and Sylvia regarding him quite frankly. And conscious that he was growing red, he said to himself: 'I won't!' And did not. In three days they would be at Oxford. Would they come on here at once? Old Tingle was speaking. He heard Sylvia answer: “No, I don't like 'bopsies.' They're so hard!” It was their old name for high cheekbones. Sylvia certainly had none, her cheeks went softly up to her eyes.
“Do you, Mark?”
He said slowly:
“On some people.”
“People who have them are strong-willed, aren't they?”
Was SHE—Anna—strong-willed? It came to him that he did not know at all what she was.
When breakfast was over and he had got away to his old greenhouse, he had a strange, unhappy time. He was a beast, he had not been thinking of her half enough! He took the letter out, and frowned at it horribly. Why could he not feel more? What was the matter with him? Why was he such a brute—not to be thinking of her day and night? For long he stood, disconsolate, in the little dark greenhouse among the images of his beasts, the letter in his hand.
He stole out presently, and got down to the river unobserved. Comforting—that crisp, gentle sound of water; ever so comforting to sit on a stone, very still, and wait for things to happen round you. You lost yourself that way, just became branches, and stones, and water, and birds, and sky. You did not feel such a beast. Gordy would never understand why he did not care for fishing—one thing trying to catch another—instead of watching and understanding what things were. You never got to the end of looking into water, or grass or fern; always something queer and new. It was like that, too, with yourself, if you sat down and looked properly—most awfully interesting to see things working in your mind.
A soft rain had begun to fall, hissing gently on the leaves, but he had still a boy's love of getting wet, and stayed where he was, on the stone. Some people saw fairies in woods and down in water, or said they did; that did not seem to him much fun. What was really interesting was noticing that each thing was different from every other thing, and what made it so; you must see that before you could draw or model decently. It was fascinating to see your creatures coming out with shapes of their very own; they did that without your understanding how. But this vacation he was no good—couldn't draw or model a bit!
A jay had settled about forty yards away, and remained in full view, attending to his many-coloured feathers. Of all things, birds were the most fascinating! He watched it a long time, and when it flew on, followed it over the high wall up into the park. He heard the lunch-bell ring in the far distance, but did not go in. So long as he was out there in the soft rain with the birds and trees and other creatures, he was free from that unhappy feeling of the morning. He did not go back till nearly seven, properly wet through, and very hungry.
All through dinner he noticed that Sylvia seemed to be watching him, as if wanting to ask him something. She looked very soft in her white frock, open at the neck; and her hair almost the colour of special moonlight, so goldy-pale; and he wanted her to understand that it wasn't a bit because of her that he had been out alone all day. After dinner, when they were getting the table ready to play 'red nines,' he did murmur:
“Did you sleep last night—after?”
She nodded fervently to that.
It was raining really hard now, swishing and dripping out in the darkness, and he whispered:
“Our stars would be drowned to-night.”
“Do you really think we have stars?”
“We might. But mine's safe, of course; your hair IS jolly, Sylvia.”
She gazed at him, very sweet and surprised.
Anna did not receive the boy's letter in the Tyrol. It followed her to Oxford. She was just going out when it came, and she took it up with the mingled beatitude and almost sickening tremor that a lover feels touching the loved one's letter. She would not open it in the street, but carried it all the way to the garden of a certain College, and sat down to read it under the cedar-tree. That little letter, so short, boyish, and dry, transported her halfway to heaven. She was to see him again at once, not to wait weeks, with the fear that he would quite forget her! Her husband had said at breakfast that Oxford without 'the dear young clowns' assuredly was charming, but Oxford 'full of tourists and other strange bodies' as certainly was not. Where should they go? Thank heaven, the letter could be shown him! For all that, a little stab of pain went through her that there was not one word which made it unsuitable to show. Still, she was happy. Never had her favourite College garden seemed so beautiful, with each tree and flower so cared for, and the very wind excluded; never had the birds seemed so tame and friendly. The sun shone softly, even the clouds were luminous and joyful. She sat a long time, musing, and went back forgetting all she had come out to do. Having both courage and decision, she did not leave the letter to burn a hole in her corsets, but gave it to her husband at lunch, looking him in the face, and saying carelessly:
“Providence, you see, answers your question.”
He read it, raised his eyebrows, smiled, and, without looking up, murmured:
“You wish to prosecute this romantic episode?”
Did he mean anything—or was it simply his way of putting things?
“I naturally want to be anywhere but here.”
“Perhaps you would like to go alone?”
He said that, of course, knowing she could not say: Yes. And she answered simply: “No.”
“Then let us both go—on Monday. I will catch the young man's trout; thou shalt catch—h'm!—he shall catch—What is it he catches—trees? Good! That's settled.”
And, three days later, without another word exchanged on the subject, they started.
Was she grateful to him? No. Afraid of him? No. Scornful of him? Not quite. But she was afraid of HERSELF, horribly. How would she ever be able to keep herself in hand, how disguise from these people that she loved their boy? It was her desperate mood that she feared. But since she so much wanted all the best for him that life could give, surely she would have the strength to do nothing that might harm him. Yet she was afraid.
He was there at the station to meet them, in riding things and a nice rough Norfolk jacket that she did not recognize, though she thought she knew his clothes by heart; and as the train came slowly to a standstill the memory of her last moment with him, up in his room amid the luggage that she had helped to pack, very nearly overcame her. It seemed so hard to have to meet him coldly, formally, to have to wait—who knew how long—for a minute with him alone! And he was so polite, so beautifully considerate, with all the manners of a host; hoping she wasn't tired, hoping Mr. Stormer had brought his fishing-rod, though they had lots, of course, they could lend him; hoping the weather would be fine; hoping that they wouldn't mind having to drive three miles, and busying himself about their luggage. All this when she just wanted to take him in her arms and push his hair back from his forehead, and look at him!
He did not drive with them—he had thought they would be too crowded—but followed, keeping quite close in the dust to point out the scenery, mounted on a 'palfrey,' as her husband called the roan with the black swish tail.
This countryside, so rich and yet a little wild, the independent-looking cottages, the old dark cosy manor-house, all was very new to one used to Oxford, and to London, and to little else of England. And all was delightful. Even Mark's guardian seemed to her delightful. For Gordy, when absolutely forced to face an unknown woman, could bring to the encounter a certain bluff ingratiation. His sister, too, Mrs. Doone, with her faded gentleness, seemed soothing.
When Anna was alone in her room, reached by an unexpected little stairway, she stood looking at its carved four-poster bed and the wide lattice window with chintz curtains, and the flowers in a blue bowl. Yes, all was delightful. And yet! What was it? What had she missed? Ah, she was a fool to fret! It was only his anxiety that they should be comfortable, his fear that he might betray himself. Out there those last few days—his eyes! And now! She brooded earnestly over what dress she should put on. She, who tanned so quickly, had almost lost her sunburn in the week of travelling and Oxford. To-day her eyes looked tired, and she was pale. She was not going to disdain anything that might help. She had reached thirty-six last month, and he would be nineteen to-morrow! She decided on black. In black she knew that her neck looked whiter, and the colour of her eyes and hair stranger. She put on no jewellery, did not even pin a rose at her breast, took white gloves. Since her husband did not come to her room, she went up the little stairway to his. She surprised him ready dressed, standing by the fireplace, smiling faintly. What was he thinking of, standing there with that smile? Was there blood in him at all?
He inclined his head slightly and said:
“Good! Chaste as the night! Black suits you. Shall we find our way down to these savage halls?”
And they went down.
Everyone was already there, waiting. A single neighbouring squire and magistrate, by name Trusham, had been bidden, to make numbers equal.
Dinner was announced; they went in. At the round table in a dining-room, all black oak, with many candles, and terrible portraits of departed ancestors, Anna sat between the magistrate and Gordy. Mark was opposite, between a quaint-looking old lady and a young girl who had not been introduced, a girl in white, with very fair hair and very white skin, blue eyes, and lips a little parted; a daughter evidently of the faded Mrs. Doone. A girl like a silvery moth, like a forget-me-not! Anna found it hard to take her eyes away from this girl's face; not that she admired her exactly; pretty she was—yes; but weak, with those parted lips and soft chin, and almost wistful look, as if her deep-blue half-eager eyes were in spite of her. But she was young—so young! That was why not to watch her seemed impossible. “Sylvia Doone?” Indeed! Yes. A soft name, a pretty name—and very like her! Every time her eyes could travel away from her duty to Squire Trusham, and to Gordy (on both of whom she was clearly making an impression), she gazed at this girl, sitting there by the boy, and whenever those two young things smiled and spoke together she felt her heart contract and hurt her. Was THIS why that something had gone out of his eyes? Ah, she was foolish! If every girl or woman the boy knew was to cause such a feeling in her, what would life be like? And her will hardened against her fears. She was looking brilliant herself; and she saw that the girl in her turn could not help gazing at her eagerly, wistfully, a little bewildered—hatefully young. And the boy? Slowly, surely, as a magnet draws, Anna could feel that she was drawing him, could see him stealing chances to look at her. Once she surprised him full. What troubled eyes! It was not the old adoring face; yet she knew from its expression that she could make him want her—make him jealous—easily fire him with her kisses, if she would.
And the dinner wore to an end. Then came the moment when the girl and she must meet under the eyes of the mother, and that sharp, quaint-looking old governess. It would be a hard moment, that! And it came—a hard moment and a long one, for Gordy sat full span over his wine. But Anna had not served her time beneath the gaze of upper Oxford for nothing; she managed to be charming, full of interest and questions in her still rather foreign accent. Miss Doone—soon she became Sylvia—must show her all the treasures and antiquities. Was it too dark to go out just to look at the old house by night? Oh, no. Not a bit. There were goloshes in the hall. And they went, the girl leading, and talking of Anna knew not what, so absorbed was she in thinking how for a moment, just a moment, she could contrive to be with the boy alone.
It was not remarkable, this old house, but it was his home—might some day perhaps be his. And houses at night were strangely alive with their window eyes.
“That is my room,” the girl said, “where the jessamine is—you can just see it. Mark's is above—look, under where the eave hangs out, away to the left. The other night—”
“Yes; the other night?”
“Oh, I don't—! Listen. That's an owl. We have heaps of owls. Mark likes them. I don't, much.”
“He's awfully keen, you see, about all beasts and birds—he models them. Shall I show you his workshop?—it's an old greenhouse. Here, you can see in.”
There through the glass Anna indeed could just see the boy's quaint creations huddling in the dark on a bare floor, a grotesque company of small monsters. She murmured:
“Yes, I see them, but I won't really look unless he brings me himself.”
“Oh, he's sure to. They interest him more than anything in the world.”
For all her cautious resolutions Anna could not for the life of her help saying:
“What, more than you?”
The girl gave her a wistful stare before she answered:
“Oh! I don't count much.”
Anna laughed, and took her arm. How soft and young it felt! A pang went through her heart, half jealous, half remorseful.
“Do you know,” she said, “that you are very sweet?”
The girl did not answer.
“Are you his cousin?”
“No. Gordy is only Mark's uncle by marriage; my mother is Gordy's sister—so I'm nothing.”
“I see—just what you English call 'a connection.'”
They were silent, seeming to examine the night; then the girl said:
“I wanted to see you awfully. You're not like what I thought.”
“Oh! And what DID you think?”
“I thought you would have dark eyes, and Venetian red hair, and not be quite so tall. Of course, I haven't any imagination.”
They were at the door again when the girl said that, and the hall light was falling on her; her slip of a white figure showed clear. Young—how young she looked! Everything she said—so young!
And Anna murmured: “And you are—more than I thought, too.”
Just then the men came out from the dining-room; her husband with the look on his face that denoted he had been well listened to; Squire Trusham laughing as a man does who has no sense of humour; Gordy having a curly, slightly asphyxiated air; and the boy his pale, brooding look, as though he had lost touch with his surroundings. He wavered towards her, seemed to lose himself, went and sat down by the old governess. Was it because he did not dare to come up to her, or only because he saw the old lady sitting alone? It might well be that.
And the evening, so different from what she had dreamed of, closed in. Squire Trusham was gone in his high dog-cart, with his famous mare whose exploits had entertained her all through dinner. Her candle had been given her; she had said good-night to all but Mark. What should she do when she had his hand in hers? She would be alone with him in that grasp, whose strength no one could see. And she did not know whether to clasp it passionately, or to let it go coolly back to its owner; whether to claim him or to wait. But she was unable to help pressing it feverishly. At once in his face she saw again that troubled look; and her heart smote her. She let it go, and that she might not see him say good-night to the girl, turned and mounted to her room.
Fully dressed, she flung herself on the bed, and there lay, her handkerchief across her mouth, gnawing at its edges.
Mark's nineteenth birthday rose in grey mist, slowly dropped its veil to the grass, and shone clear and glistening. He woke early. From his window he could see nothing in the steep park but the soft blue-grey, balloon-shaped oaks suspended one above the other among the round-topped boulders. It was in early morning that he always got his strongest feeling of wanting to model things; then and after dark, when, for want of light, it was no use. This morning he had the craving badly, and the sense of not knowing how weighed down his spirit. His drawings, his models—they were all so bad, so fumbly. If only this had been his twenty-first birthday, and he had his money, and could do what he liked. He would not stay in England. He would be off to Athens, or Rome, or even to Paris, and work till he COULD do something. And in his holidays he would study animals and birds in wild countries where there were plenty of them, and you could watch them in their haunts. It was stupid having to stay in a place like Oxford; but at the thought of what Oxford meant, his roaming fancy, like a bird hypnotized by a hawk, fluttered, stayed suspended, and dived back to earth. And that feeling of wanting to make things suddenly left him. It was as though he had woken up, his real self; then—lost that self again. Very quietly he made his way downstairs. The garden door was not shuttered, not even locked—it must have been forgotten overnight. Last night! He had never thought he would feel like this when she came—so bewildered, and confused; drawn towards her, but by something held back. And he felt impatient, angry with himself, almost with her. Why could he not be just simply happy, as this morning was happy? He got his field-glasses and searched the meadow that led down to the river. Yes, there were several rabbits out. With the white marguerites and the dew cobwebs, it was all moon-flowery and white; and the rabbits being there made it perfect. He wanted one badly to model from, and for a moment was tempted to get his rook rifle—but what was the good of a dead rabbit—besides, they looked so happy! He put the glasses down and went towards his greenhouse to get a drawing block, thinking to sit on the wall and make a sort of Midsummer Night's Dream sketch of flowers and rabbits. Someone was there, bending down and doing something to his creatures. Who had the cheek? Why, it was Sylvia—in her dressing-gown! He grew hot, then cold, with anger. He could not bear anyone in that holy place! It was hateful to have his things even looked at; and she—she seemed to be fingering them. He pulled the door open with a jerk, and said: “What are you doing?” He was indeed so stirred by righteous wrath that he hardly noticed the gasp she gave, and the collapse of her figure against the wall. She ran past him, and vanished without a word. He went up to his creatures and saw that she had placed on the head of each one of them a little sprig of jessamine flower. Why! It was idiotic! He could see nothing at first but the ludicrousness of flowers on the heads of his beasts! Then the desperation of this attempt to imagine something graceful, something that would give him pleasure touched him; for he saw now that this was a birthday decoration. From that it was only a second before he was horrified with himself. Poor little Sylvia! What a brute he was! She had plucked all that jessamine, hung out of her window and risked falling to get hold of it; and she had woken up early and come down in her dressing-gown just to do something that she thought he would like! Horrible—what he had done! Now, when it was too late, he saw, only too clearly, her startled white face and quivering lips, and the way she had shrunk against the wall. How pretty she had looked in her dressing-gown with her hair all about her, frightened like that! He would do anything now to make up to her for having been such a perfect beast! The feeling, always a little with him, that he must look after her—dating, no doubt, from days when he had protected her from the bulls that were not there; and the feeling of her being so sweet and decent to him always; and some other feeling too—all these suddenly reached poignant climax. He simply must make it up to her! He ran back into the house and stole upstairs. Outside her room he listened with all his might, but could hear nothing; then tapped softly with one nail, and, putting his mouth to the keyhole, whispered: “Sylvia!” Again and again he whispered her name. He even tried the handle, meaning to open the door an inch, but it was bolted. Once he thought he heard a noise like sobbing, and this made him still more wretched. At last he gave it up; she would not come, would not be consoled. He deserved it, he knew, but it was very hard. And dreadfully dispirited he went up to his room, took a bit of paper, and tried to write:
“It was most awfully sweet of you to put your stars on my beasts. It was just about the most sweet thing you could have done. I am an awful brute, but, of course, if I had only known what you were doing, I should have loved it. Do forgive me; I deserve it, I know—only it IS my birthday.
He took this down, slipped it under her door, tapped so that she might notice it, and stole away. It relieved his mind a little, and he went downstairs again.
Back in the greenhouse, sitting on a stool, he ruefully contemplated those chapletted beasts. They consisted of a crow, a sheep, a turkey, two doves, a pony, and sundry fragments. She had fastened the jessamine sprigs to the tops of their heads by a tiny daub of wet clay, and had evidently been surprised trying to put a sprig into the mouth of one of the doves, for it hung by a little thread of clay from the beak. He detached it and put it in his buttonhole. Poor little Sylvia! she took things awfully to heart. He would be as nice as ever he could to her all day. And, balancing on his stool, he stared fixedly at the wall against which she had fallen back; the line of her soft chin and throat seemed now to be his only memory. It was very queer how he could see nothing but that, the way the throat moved, swallowed—so white, so soft. And HE had made it go like that! It seemed an unconscionable time till breakfast.
As the hour approached he haunted the hall, hoping she might be first down. At last he heard footsteps, and waited, hidden behind the door of the empty dining-room, lest at sight of him she should turn back. He had rehearsed what he was going to do—bend down and kiss her hand and say: “Dulcinea del Toboso is the most beautiful lady in the world, and I the most unfortunate knight upon the earth,” from his favourite passage out of his favourite book, 'Don Quixote.' She would surely forgive him then, and his heart would no longer hurt him. Certainly she could never go on making him so miserable if she knew his feelings! She was too soft and gentle for that. Alas! it was not Sylvia who came; but Anna, fresh from sleep, with her ice-green eyes and bright hair; and in sudden strange antipathy to her, that strong, vivid figure, he stood dumb. And this first lonely moment, which he had so many times in fancy spent locked in her arms, passed without even a kiss; for quickly one by one the others came. But of Sylvia only news through Mrs. Doone that she had a headache, and was staying in bed. Her present was on the sideboard, a book called 'Sartor Resartus.' “Mark—from Sylvia, August 1st, 1880,” together with Gordy's cheque, Mrs. Doone's pearl pin, old Tingle's 'Stones of Venice,' and one other little parcel wrapped in tissue-paper—four ties of varying shades of green, red, and blue, hand-knitted in silk—a present of how many hours made short by the thought that he would wear the produce of that clicking. He did not fail in outer gratitude, but did he realize what had been knitted into those ties? Not then.
Birthdays, like Christmas days, were made for disenchantment. Always the false gaiety of gaiety arranged—always that pistol to the head: 'Confound you! enjoy yourself!' How could he enjoy himself with the thought of Sylvia in her room, made ill by his brutality! The vision of her throat working, swallowing her grief, haunted him like a little white, soft spectre all through the long drive out on to the moor, and the picnic in the heather, and the long drive home—haunted him so that when Anna touched or looked at him he had no spirit to answer, no spirit even to try and be with her alone, but almost a dread of it instead.
And when at last they were at home again, and she whispered:
“What is it? What have I done?” he could only mutter:
“Nothing! Oh, nothing! It's only that I've been a brute!”
At that enigmatic answer she might well search his face.
“Is it my husband?”
He could answer that, at all events.
“What is it, then? Tell me.”
They were standing in the inner porch, pretending to examine the ancestral chart—dotted and starred with dolphins and little full-rigged galleons sailing into harbours—which always hung just there.
“Tell me, Mark; I don't like to suffer!”
What could he say, since he did not know himself? He stammered, tried to speak, could not get anything out.
“Is it that girl?”
Startled, he looked away, and said:
“Of course not.”
She shivered, and went into the house. But he stayed, staring at the chart with a dreadful stirred-up feeling—of shame and irritation, pity, impatience, fear, all mixed. What had he done, said, lost? It was that horrid feeling of when one has not been kind and not quite true, yet might have been kinder if one had been still less true. Ah! but it was all so mixed up. It felt all bleak, too, and wintry in him, as if he had suddenly lost everybody's love. Then he was conscious of his tutor.
“Ah! friend Lennan—looking deeply into the past from the less romantic present? Nice things, those old charts. The dolphins are extremely jolly.”
It was difficult to remember not to be ill-mannered then. Why did Stormer jeer like that? He just managed to answer:
“Yes, sir; I wish we had some now.”
“There are so many moons we wish for, Lennan, and they none of them come tumbling down.”
The voice was almost earnest, and the boy's resentment fled. He felt sorry, but why he did not know.
“In the meantime,” he heard his tutor say, “let us dress for dinner.”
When he came down to the drawing-room, Anna in her moonlight-coloured frock was sitting on the sofa talking to—Sylvia. He kept away from them; they could neither of them want him. But it did seem odd to him, who knew not too much concerning women, that she could be talking so gaily, when only half an hour ago she had said: “Is it that girl?”
He sat next her at dinner. Again it was puzzling that she should be laughing so serenely at Gordy's stories. Did the whispering in the porch, then, mean nothing? And Sylvia would not look at him; he felt sure that she turned her eyes away simply because she knew he was going to look in her direction. And this roused in him a sore feeling—everything that night seemed to rouse that feeling—of injustice; he was cast out, and he could not tell why. He had not meant to hurt either of them! Why should they both want to hurt him so? And presently there came to him a feeling that he did not care: Let them treat him as they liked! There were other things besides love! If they did not want him—he did not want them! And he hugged this reckless, unhappy, don't-care feeling to him with all the abandonment of youth.
But even birthdays come to an end. And moods and feelings that seem so desperately real die in the unreality of sleep.
If to the boy that birthday was all bewildered disillusionment, to Anna it was verily slow torture; SHE found no relief in thinking that there were things in life other than love. But next morning brought readjustment, a sense of yesterday's extravagance, a renewal of hope. Impossible surely that in one short fortnight she had lost what she had made so sure of! She had only to be resolute. Only to grasp firmly what was hers. After all these empty years was she not to have her hour? To sit still meekly and see it snatched from her by a slip of a soft girl? A thousand times, no! And she watched her chance. She saw him about noon sally forth towards the river, with his rod. She had to wait a little, for Gordy and his bailiff were down there by the tennis lawn, but they soon moved on. She ran out then to the park gate. Once through that she felt safe; her husband, she knew, was working in his room; the girl somewhere invisible; the old governess still at her housekeeping; Mrs. Doone writing letters. She felt full of hope and courage. This old wild tangle of a park, that she had not yet seen, was beautiful—a true trysting-place for fauns and nymphs, with its mossy trees and boulders and the high bracken. She kept along under the wall in the direction of the river, but came to no gate, and began to be afraid that she was going wrong. She could hear the river on the other side, and looked for some place where she could climb and see exactly where she was. An old ash-tree tempted her. Scrambling up into its fork, she could just see over. There was the little river within twenty yards, its clear dark water running between thick foliage. On its bank lay a huge stone balanced on another stone still more huge. And with his back to this stone stood the boy, his rod leaning beside him. And there, on the ground, her arms resting on her knees, her chin on her hands, that girl sat looking up. How eager his eyes now—how different from the brooding eyes of yesterday!
“So, you see, that was all. You might forgive me, Sylvia!”
And to Anna it seemed verily as if those two young faces formed suddenly but one—the face of youth.
If she had stayed there looking for all time, she could not have had graven on her heart a vision more indelible. Vision of Spring, of all that was gone from her for ever! She shrank back out of the fork of the old ash-tree, and, like a stricken beast, went hurrying, stumbling away, amongst the stones and bracken. She ran thus perhaps a quarter of a mile, then threw up her arms, fell down amongst the fern, and lay there on her face. At first her heart hurt her so that she felt nothing but that physical pain. If she could have died! But she knew it was nothing but breathlessness. It left her, and that which took its place she tried to drive away by pressing her breast against the ground, by clutching the stalks of the bracken—an ache, an emptiness too dreadful! Youth to youth! He was gone from her—and she was alone again! She did not cry. What good in crying? But gusts of shame kept sweeping through her; shame and rage. So this was all she was worth! The sun struck hot on her back in that lair of tangled fern, where she had fallen; she felt faint and sick. She had not known till now quite what this passion for the boy had meant to her; how much of her very belief in herself was bound up with it; how much clinging to her own youth. What bitterness! One soft slip of a white girl—one YOUNG thing—and she had become as nothing! But was that true? Could she not even now wrench him back to her with the passion that this child knew nothing of! Surely! Oh, surely! Let him but once taste the rapture she could give him! And at that thought she ceased clutching at the bracken stalks, lying as still as the very stones around her. Could she not? Might she not, even now? And all feeling, except just a sort of quivering, deserted her—as if she had fallen into a trance. Why spare this girl? Why falter? She was first! He had been hers out there. And she still had the power to draw him. At dinner the first evening she had dragged his gaze to her, away from that girl—away from youth, as a magnet draws steel. She could still bind him with chains that for a little while at all events he would not want to break! Bind him? Hateful word! Take him, hankering after what she could not give him—youth, white innocence, Spring? It would be infamous, infamous! She sprang up from the fern, and ran along the hillside, not looking where she went, stumbling among the tangled growth, in and out of the boulders, till she once more sank breathless on to a stone. It was bare of trees just here, and she could see, across the river valley, the high larch-crowned tor on the far side. The sky was clear—the sun bright. A hawk was wheeling over that hill; far up, very near the blue! Infamous! She could not do that! Could not drug him, drag him to her by his senses, by all that was least high in him, when she wished for him all the finest things that life could give, as if she had been his mother. She could not. It would be wicked! In that moment of intense spiritual agony, those two down there in the sun, by the grey stone and the dark water, seemed guarded from her, protected. The girl's white flower-face trembling up, the boy's gaze leaping down! Strange that a heart which felt that, could hate at the same moment that flower-face, and burn to kill with kisses that eagerness in the boy's eyes. The storm in her slowly passed. And she prayed just to feel nothing. It was natural that she should lose her hour! Natural that her thirst should go unslaked, and her passion never bloom; natural that youth should go to youth, this boy to his own kind, by the law of—love. The breeze blowing down the valley fanned her cheeks, and brought her a faint sensation of relief. Nobility! Was it just a word? Or did those that gave up happiness feel noble?
She wandered for a long time in the park. Not till late afternoon did she again pass out by the gate, through which she had entered, full of hope. She met no one before she reached her room; and there, to be safe, took refuge in her bed. She dreaded only lest the feeling of utter weariness should leave her. She wanted no vigour of mind or body till she was away from here. She meant neither to eat nor drink; only to sleep, if she could. To-morrow, if there were any early train, she could be gone before she need see anyone; her husband must arrange. As to what he would think, and she could say—time enough to decide that. And what did it matter? The one vital thing now was not to see the boy, for she could not again go through hours of struggle like those. She rang the bell, and sent the startled maid with a message to her husband. And while she waited for him to come, her pride began revolting. She must not let him see. That would be horrible. And slipping out of bed she got a handkerchief and the eau-de-Cologne flask, and bandaged her forehead. He came almost instantly, entering in his quick, noiseless way, and stood looking at her. He did not ask what was the matter, but simply waited. And never before had she realized so completely how he began, as it were, where she left off; began on a plane from which instinct and feeling were as carefully ruled out as though they had been blasphemous. She summoned all her courage, and said: “I went into the park; the sun must have been too hot. I should like to go home to-morrow, if you don't mind. I can't bear not feeling well in other people's houses.”
She was conscious of a smile flickering over his face; then it grew grave.
“Ah!” he said; “yes. The sun, a touch of that will last some days. Will you be fit to travel, though?”
She had a sudden conviction that he knew all about it, but that—since to know all about it was to feel himself ridiculous—he had the power of making himself believe that he knew nothing. Was this fine of him, or was it hateful?
She closed her eyes and said:
“My head is bad, but I SHALL be able. Only I don't want a fuss made. Could we go by a train before they are down?”
She heard him say:
“Yes. That will have its advantages.”
There was not the faintest sound now, but of course he was still there. In that dumb, motionless presence was all her future. Yes, that would be her future—a thing without feeling, and without motion. A fearful curiosity came on her to look at it. She opened her gaze. He was still standing just as he had been, his eyes fixed on her. But one hand, on the edge of his coat pocket—out of the picture, as it were—was nervously closing and unclosing. And suddenly she felt pity. Not for her future—which must be like that; but for him. How dreadful to have grown so that all emotion was exiled—how dreadful! And she said gently:
“I am sorry, Harold.”
As if he had heard something strange and startling, his eyes dilated in a curious way, he buried that nervous hand in his pocket, turned, and went out.
When young Mark came on Sylvia by the logan-stone, it was less surprising to him than if he had not known she was there—having watched her go. She was sitting, all humped together, brooding over the water, her sunbonnet thrown back; and that hair, in which his star had caught, shining faint-gold under the sun. He came on her softly through the grass, and, when he was a little way off, thought it best to halt. If he startled her she might run away, and he would not have the heart to follow. How still she was, lost in her brooding! He wished he could see her face. He spoke at last, gently:
“Sylvia!... Would you mind?”
And, seeing that she did not move, he went up to her. Surely she could not still be angry with him!
“Thanks most awfully for that book you gave me—it looks splendid!”
She made no answer. And leaning his rod against the stone, he sighed. That silence of hers seemed to him unjust; what was it she wanted him to say or do? Life was not worth living, if it was to be all bottled up like this.
“I never meant to hurt you. I hate hurting people. It's only that my beasts are so bad—I can't bear people to see them—especially you—I want to please you—I do really. So, you see, that was all. You MIGHT forgive me, Sylvia!”
Something over the wall, a rustling, a scattering in the fern—deer, no doubt! And again he said eagerly, softly:
“You might be nice to me, Sylvia; you really might.”
Very quickly, turning her head away, she said:
“It isn't that any more. It's—it's something else.”
“Nothing—only, that I don't count—now—”
He knelt down beside her. What did she mean? But he knew well enough.
“Of course, you count! Most awfully! Oh, don't be unhappy! I hate people being unhappy. Don't be unhappy, Sylvia!” And he began gently to stroke her arm. It was all strange and troubled within him; one thing only plain—he must not admit anything! As if reading that thought, her blue eyes seemed suddenly to search right into him. Then she pulled some blades of grass, and began plaiting them.
Ah! He was not going to say: She doesn't! It would be caddish to say that. Even if she didn't count—Did she still?—it would be mean and low. And in his eyes just then there was the look that had made his tutor compare him to a lion cub in trouble.
Sylvia was touching his arm.
He got up and took his rod. What was the use? He could not stay there with her, since he could not—must not speak.
“Are you going?”
“Are you angry? PLEASE don't be angry with me.”
He felt a choke in his throat, bent down to her hand, and kissed it; then shouldered his rod, and marched away. Looking back once, he saw her still sitting there, gazing after him, forlorn, by that great stone. It seemed to him, then, there was nowhere he could go; nowhere except among the birds and beasts and trees, who did not mind even if you were all mixed up and horrible inside. He lay down in the grass on the bank. He could see the tiny trout moving round and round the stones; swallows came all about him, flying very low; a hornet, too, bore him company for a little. But he could take interest in nothing; it was as if his spirit were in prison. It would have been nice, indeed, to be that water, never staying, passing, passing; or wind, touching everything, never caught. To be able to do nothing without hurting someone—that was what was so ghastly. If only one were like a flower, that just sprang up and lived its life all to itself, and died. But whatever he did, or said now, would be like telling lies, or else being cruel. The only thing was to keep away from people. And yet how keep away from his own guests?
He went back to the house for lunch, but both those guests were out, no one seemed quite to know where. Restless, unhappy, puzzled, he wandered round and about all the afternoon. Just before dinner he was told of Mrs. Stormer's not being well, and that they would be leaving to-morrow. Going—after three days! That plunged him deeper into his strange and sorrowful confusion. He was reduced now to a complete brooding silence. He knew he was attracting attention, but could not help it. Several times during dinner he caught Gordy's eyes fixed on him, from under those puffy half-closed lids, with asphyxiated speculation. But he simply COULD not talk—everything that came into his mind to say seemed false. Ah! it was a sad evening—with its glimmering vision into another's sore heart, its confused gnawing sense of things broken, faith betrayed; and yet always the perplexed wonder—“How could I have helped it?” And always Sylvia's wistful face that he tried not to look at.
He stole out, leaving Gordy and his tutor still over their wine, and roamed about the garden a long time, listening sadly to the owls. It was a blessing to get upstairs, though of course he would not sleep.
But he did sleep, all through a night of many dreams, in the last of which he was lying on a mountain side, Anna looking down into his eyes, and bending her face to his. He woke just as her lips touched him. Still under the spell of that troubling dream, he became conscious of the sound of wheels and horses' hoofs on the gravel, and sprang out of bed. There was the waggonette moving from the door, old Godden driving, luggage piled up beside him, and the Stormers sitting opposite each other in the carriage. Going away like that—having never even said good-bye! For a moment he felt as people must when they have unwittingly killed someone—utterly stunned and miserable. Then he dashed into his clothes. He would not let her go thus! He would—he must—see her again! What had he done that she should go like this? He rushed downstairs. The hall was empty; nineteen minutes to eight! The train left at eight o'clock. Had he time to saddle Bolero? He rushed round to the stables; but the cob was out, being shoed. He would—he must get there in time. It would show her anyway that he was not quite a cad. He walked till the drive curved, then began running hard. A quarter of a mile, and already he felt better, not so miserable and guilty; it was something to feel you had a tough job in hand, all your work cut out—something to have to think of economizing strength, picking out the best going, keeping out of the sun, saving your wind uphill, flying down any slope. It was cool still, and the dew had laid the dust; there was no traffic and scarcely anyone to look back and gape as he ran by. What he would do, if he got there in time—how explain this mad three-mile run—he did not think. He passed a farm that he knew was just half-way. He had left his watch. Indeed, he had put on only his trousers, shirt, and Norfolk jacket; no tie, no hat, not even socks under his tennis shoes, and he was as hot as fire, with his hair flying back—a strange young creature indeed for anyone to meet. But he had lost now all feeling, save the will to get there. A flock of sheep came out of a field into the lane. He pushed through them somehow, but they lost him several seconds. More than a mile still; and he was blown, and his legs beginning to give! Downhill indeed they went of their own accord, but there was the long run-in, quite level; and he could hear the train, now slowly puffing its way along the valley. Then, in spite of exhaustion, his spirit rose. He would not go in looking like a scarecrow, utterly done, and make a scene. He must pull himself together at the end, and stroll in—as if he had come for fun. But how—seeing that at any moment he felt he might fall flat in the dust, and stay there for ever! And, as he ran, he made little desperate efforts to mop his face, and brush his clothes. There were the gates, at last—two hundred yards away. The train, he could hear no longer. It must be standing in the station. And a sob came from his overdriven lungs. He heard the guard's whistle as he reached the gates. Instead of making for the booking-office, he ran along the paling, where an entrance to the goods'-shed was open, and dashing through he fell back against the honeysuckle. The engine was just abreast of him; he snatched at his sleeve and passed it over his face, to wipe the sweat away. Everything was blurred. He must see—surely he had not come in time just not to see! He pushed his hands over his forehead and hair, and spied up dizzily at the slowly passing train. She was there, at a window! Standing, looking out! He dared not step forward, for fear of falling, but he put out his hand—She saw him. Yes, she saw him! Wasn't she going to make a sign? Not one? And suddenly he saw her tear at her dress, pluck something out, and throw it. It fell close to his feet. He did not pick it up—he wanted to see her face till she was gone. It looked wonderful—very proud, and pale. She put her hand up to her lips. Then everything went blurred again and when he could see once more, the train had vanished. But at his feet was what she had thrown. He picked it up! All dry and dark, it was the flower she had given him in the Tyrol, and stolen back from his buttonhole.
Creeping out, past the goods'-shed, he made his way to a field, and lay down with his face pressed to that withered thing which still had its scent....
The asphyxiated speculation in his guardian's eyes had not been without significance. Mark did not go back to Oxford. He went instead to Rome—to live in his sister's house, and attend a school of sculpture. That was the beginning of a time when nothing counted except his work.
To Anna he wrote twice, but received no answer. From his tutor he had one little note:
“MY DEAR LENNAN,
“So! You abandon us for Art? Ah! well—it was your moon, if I remember—one of them. A worthy moon—a little dusty in these days—a little in her decline—but to you no doubt a virgin goddess, whose hem, etc.
“We shall retain the friendliest memories of you in spite of your defection.
“Once your tutor and still your friend,
After that vacation it was long—very long before he saw Sylvia again.
Merci pour la lecture!
Nous pouvons garder Inkspired gratuitement en affichant des annonces à nos visiteurs. S’il vous plaît, soutenez-nous en ajoutant ou en désactivant AdBlocker.
Après l’avoir fait, veuillez recharger le site Web pour continuer à utiliser Inkspired normalement.